Tag Archives: Crime

Memory – Movie Review

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TL;DR – An interesting concept let down by sloppy execution.     

Rating: 2 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

bullet smashes through a window.

Memory Review –

As we gallop towards the end of the year, it is time to catch up with the films I had missed along the way. The first of these is Liam Neeson playing an assassin with early onset Alzheimer’s, and while that is a set-up that is at the very least intriguing.

So to set the scene, Alex Lewis (Liam Neeson) is a hitman for hire and has no compunction murdering a son while his mother sits in her hospital bed, unable to do anything but watch. The only issue is that he has early onset Alzheimer’s, a problem in his line of work where there is no such thing as retirement. This all comes to a head when Alex is tasked to take out Ellis Van Camp (Scot Williams) in El Paso, Texas. However, he didn’t know the next target was Beatriz Leon (Mia Sanchez), a young sex-trafficking victim, who should be off-limits. But you don’t say no to people like this.        

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In The Land Of Lost Angels – Movie Review

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TL;DR – An intimate exploration of a crime as it unwinds across the days.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was sent a screener of this film.

In The Land Of Lost Angels. Image Credit: The Filmbridge.

In The Land Of Lost Angels Review –

In my exploration of cinema outside of my traditional Anglosphere, today I have another first. I think my previous investigation of Mongolian Cinema began and ended with watching The Hu on YouTube. Today, I take the first steps to fix that by looking at this brooding work of cinema.

So to set the scene, we open in the dark of a Los Angeles night. Ankhaa (Tumursukh Erdenemunkh) is on the phone back home telling everyone not to worry because his new job pays well, but clearly, this is not quite the truth. Along with his friend Orgil (Iveel Mashbat), they go through the motions of setting something up, including purchasing a gun, much to Orgil’s surprise. You are not sure where this is going, right up until they grab Scott (Mike Cali) from his car and slap a ransom note to the window.  

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Lowdown Dirty Criminals – Movie Review

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TL;DR – A film of two halves, some interesting characters in a story that fails to deliver

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Lowdown Dirty Criminals. Image Credit: Monster Films.

Review –

Today we are looking at a film of two halves, which makes it a difficult movie to review. This is because there are aspects where the film shines, and then there are moments where it all falls apart. These two halves create a disconnect that you can’t help but see throughout the entire runtime.

So to set the scene, we open in on Freddy (James Rolleston) and Marvin (Samuel Austin) in a room that is about to explode in gunfire. We then jump back a night where we see Freddy and Marvin in a car as they completely botch up robbing an ATM, severely damaging their boss’ car. From here they are up a certain creek without a paddle. Their boss Spiggs (Scott Wills) gives them one opportunity, they have to kill the guy sleeping with his wife, and it all goes wrong from here.

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The Gentlemen – Movie Review

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TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

Rating: 3.5 out of 5.

TL;DR – A fascinating and engaging story filled with great performances and many yikes moments     

The Gentlemen. Image Credit: STXfilms.

Review –

When you sign up to watch a Guy Ritchie film, you sort of know what you are going to get yourself into as he has a very specific style. It is one that is a very flash in the pan, but with a lot more substance than similar filmmakers. On the whole, I do tend to enjoy his style of filmmaking and the stories he focuses on because at the very least they will be entertaining. Well let’s dive into his latest that I was not able to catch in cinemas given ‘waves hands around’, but I am looking forward to now.     

So to set the scene, we open with Michael ‘Mickey’ Pearson (Matthew McConaughey) walking into a pub he owns ordering a pint and a pickled egg and phoning his wife Rosalind ‘Ros’ Pearson (Michelle Dockery). Only to find out there is someone unknown in the house with her which is just the moment that someone puts a bullet in the back of his head. Jump to Raymond ‘Ray’ Smith (Charlie Hunnam) arriving at his home only to find general sleazeball and private instigator Fletcher (Hugh Grant) waiting for him with a story and a demand for 20 million dollars. A tale of a bad man who wants to get into the world of legitimacy from a world of danger and it goes about as well as you can expect.      

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Movie Review – In the Shadow of the Moon

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TL;DR – A fascinating look at an issue and how people would react to it as we watch a man’s life fall apart around him.    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

In the Shadow of the Moon. Image Credit: Netflix.

Review –

If you want my interest in a film, you need to take something familiar and twist it, say a serial murder with more going on. Of course, once you have an interesting premise, you need to follow it up, which is not always the case, but today we see a film that comes very close to nailing those two parts. So very close.    

So to set the scene, it is a quiet night in Philadelphia when all of a sudden a woman collapses while driving a bus crashing into multiple cars before being taken out but a cement truck. When the police get to the scene they discover that the driver is covered in her own blood after something liquefied her brain. Three puncture wounds were in her neck, which would be bad, but across the city three more people collapse in the same way. Beat cop Thomas (Boyd Holbrook) makes the link between the three victims and after finding a forth still alive they have a clue only to find everything is much more complicated than they ever thought because the Jane Doe (Cleopatra Coleman) know who Tom is and that his daughter is about to be born.   

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TV Review – Criminal (UK) Season 1

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TL;DR – This is an interesting concept, with some powerful performances, but I am not sure three episodes was enough time to really show it off.  

Score – 3.5 out of 5 stars

Criminal (UK). Image Credit: Netflix.

Review –

Netflix as the premier multi-national streaming juggernaut (for the time being) has been doing a lot of experimenting in recent years. With Black Mirror: Bandersnatch they gave the world a choose your own adventure in cinematic form and with Ultimate Beastmaster they produced different versions for each of the countries participating. Well today we get to take a look at the next experiment with Criminal a series that produced four different versions for France, Germany, Spain, and the UK. Well today we are going to take a look at the UK version to see how this experiment works out.

To set the scene, we open in on DI Natalie Hobbs’ (Katherine Kelly) team as they begin an interview with the suspect of a murder. For you see her team are experts in interrogation, so they are used when there is a time crunch or a serious case that needs their attention. The first of these involves a doctor (David Tennant) that is accused of molesting and then murdering his step-daughter. The interview has been going for hours and time is running out because if they can’t find some way to get him to crack he could walk free. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.

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Movie Review – Extremely Wicked, Shockingly Evil and Vile

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TL;DR – While it focuses on the charismatic nature of Bundy and his toxic effects, that is all the film has going for it, and that is not enough when you are exploring a narrative like this.     

Score – 2.5 out of 5 stars

Post-Credit Scene – There is a mid-credit sequence

Extremely Wicked, Shockingly Evil and Vile. Image Credit: Netflix.

Review –

Murder, it is a topic most foul, but it is also one that is ripe for adaptation. We have seen this time and time again, and today we are looking film depicting the life of one of the most heinous serial killers in American history. There is a lot of obsession around him due to his charismatic nature and the way he used the media in his trial, after numerous escapes from custody. Quite often this obsession is deeply problematic, so when you are dealing with a film in which he is the core subject you have to be very careful. Today we are looking at Extremely Wicked, Shockingly Evil and Vile, a film that attempts this but does not quite succeed.

So to set the scene, in the middle of the 1970s and Liz (Lily Collins) is out at a bar with her friend Joanna (Angela Sarafyan). Joanna wanted Liz to have a little fun, instead of being stuck at home with her daughter and there is one man that has not taken his eyes off her. He walks over and introduces himself as Ted Bundy (Zac Efron) and the two instantly hit it off. However, not long after they move in together Ted is arrested in Utah on what he claims are trumped up charges. This begins a long march for justice and the long decline of Liz’s health.

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