TL;DR – A film where profound sadness and haunting beauty intersects on the mountains of rural Wyoming.
Post-Credit Scene – There is no post-credit scene
Disclosure – I was invited to a press screening of the film.
Land Review –
There is a genre of cinema that is sometimes derogatory referred to as a vanity project. This when a star gets enough clout to be able to direct their first film and then casts themselves in the lead role. These are usually overly dramatic works hoping to buy into that Oscar love. However, every now and again, you get a film that cuts through that noise and shows a real talent both behind and in front of the camera. With Land, we get just such a film and a phenomenal directorial debut from Robin Wright.
So to set the scene, we open in Chicago with Edee (Robin Wright) in a therapy session, trying to talk about why she is alone with her pain and why she refuses to share it with anyone. She is there out of her sister Emma (Kim Dickens) insistence, who is scared that her sister might self-harm. Edee instead decides to sell everything she owns, rents a car and drives all the way to rural Quincy, Wyoming. Here she buys a cabin off the beaten track that was already off another beaten path to be alone from everyone. But living with no running water, electricity, or phone has more challenges than first encounters, especially when winter starts.