TL;DR – This is a delightful documentary exploring a world that hits a deep nostalgic note for me.
Rating: 4 out of 5.
Disclosure – I watched this on ABC IView
Chopsticks Or Fork? Review –
Tonight I was looking for something to watch as I ate my dinner, and in a world of streaming where you have so much choice, it is almost paralysing at times just to pick one thing. But as I sat there with all those windows open, there was this moment when a documentary series about rural Chinese restaurants in Australia appeared, and it intrigued me. Now that I have watched every episode, I can tell you that this was the right choice.
So to set the scene, the premise of this show is that presenter Jennifer Wong and the crew, including director Lin Jie Kong, travel to rural towns in Australia to look at the Chinese Restaurants that take up a focal point in these communities. Here we get a show that is a part travel show, part food exploration, and part look at the intersections of culture these restaurants make. We get these stories and more as we meet six different families from restaurants across Australia from The New Bo Wa in Moree, Raymond’s at Malua Bay, Oriental Palace in Hervey Bay, Pagoda Chinese Restaurant in Atherton, Gawler Palace & Happy Garden in Darwin.
TL;DR – A film where profound sadness and haunting beauty intersects on the mountains of rural Wyoming.
Rating: 4.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I was invited to a press screening of the film.
Land Review –
There is a genre of cinema that is sometimes derogatory referred to as a vanity project. This when a star gets enough clout to be able to direct their first film and then casts themselves in the lead role. These are usually overly dramatic works hoping to buy into that Oscar love. However, every now and again, you get a film that cuts through that noise and shows a real talent both behind and in front of the camera. With Land, we get just such a film and a phenomenal directorial debut from Robin Wright.
So to set the scene, we open in Chicago with Edee (Robin Wright) in a therapy session, trying to talk about why she is alone with her pain and why she refuses to share it with anyone. She is there out of her sister Emma (Kim Dickens) insistence, who is scared that her sister might self-harm. Edee instead decides to sell everything she owns, rents a car and drives all the way to rural Quincy, Wyoming. Here she buys a cabin off the beaten track that was already off another beaten path to be alone from everyone. But living with no running water, electricity, or phone has more challenges than first encounters, especially when winter starts.