John Wick: Chapter 4 (JW4) – Movie Review

TL;DR – In many respects, this is the best John Wick film so far, or at least it would be if the action scenes were a touch more restrained in their length      

Rating: 4 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid to see this film

John walks into a cathedral.

John Wick: Chapter 4 Review

If there has been one series that has captured my attention in the last decade, it is the Jon Wick films. John Wick: Chapter 1 was an explosive surprise that shifted what action films could do in the modern era. John Wick: Chapter 2 took the world and expanded it in every way. While John Wick: Chapter 3 pumped everything up to eleven. Could they keep ramping up each time? Well, let’s see.

So to set the scene, after Winston Scott (Ian McShane) betrays John Wick (Keanu Reeves), shoots him in the chest and throws him off the Continental’s roof, it looks like the end for John. Well, until he is found by the Bowery King (Laurence Fishburne), who is very happy helping John with his revenge mission. But revenge often comes with its own retribution, and The Table strikes back hard and without mercy. Because, as they say, revenge is a dish best served cold or via dog attack. It is one of them.    

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Stowaway – Movie Review

TL;DR – A film that understands the weight of the question it asks and the damage that would do to people.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie

Stowaway. Image Credit: Netflix.

Stowaway Review

It should come as no surprise to long or short term readers that I love Science Fiction. While the fantastical location of space is an excellent place to set your film, and I enjoy them no matter how they come. What can make a film special is when they use that setting to ponder important questions about the human condition. Today we have a look at a film that delves into crucial Kobayashi Maru territory.   

So to set the scene, we open in as the Hyperion mission on MTS42 is about to launch. Mission commander Marina Barnett (Toni Collette) is setting the ship on a course for a two-year mission out to Mars and back. Along for the mission is Zoe Levenson (Anna Kendrick), a medical researcher and David Kim (Daniel Dae Kim), the ship’s biologist. You feel the rumble of engines, the shake that makes you think the very ship will through itself apart, but then you break free into the void. Once connected with the main module, they begin the long trip to Mars. However, this is a mission with supplies for three people, but as the title implies, someone else made the journey into orbit.

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