Tag Archives: Alana Boden

A Working Man – Movie Review

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TL;DR – This is a film that did not know if it wanted to be a silly Jason Statham film or a serious Jason Statham film, and that failure to get the tone right doomed a genially strong start.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A bunch of men in hardhats but their hands in the middle.

A Working Man Review –

I don’t think it is quite a reach to say that there are some actors out there, whether through typecasting or passion or skill, who end up playing the same or very similar characters in every movie they are in. One very notable example of that is Jason Statham, who historically had a character that worked in both comedic and more serious roles. But then The Beekeeper happened, and we got to see a different side to his persona. Well, when I found out he was teaming up again with the director of The Beekeeper, I was excited to see what we got … I should have tempered my expectations.   

So, to set the scene, Levon Cade (Jason Statham) is a former Royal Marine who now works as a foreman on a construction site in Chicago to be closer to his daughter Merry (Isla Gie). Levon had a difficult transition to civilian life and was helped by the Garcia family. Joe Garcia (Michael Peña) runs the construction company, but his daughter Jenny (Arianna Rivas) helps with the books. One night, Jenny goes out with her college friends to celebrate the end of a semester, not knowing that she is being hunted. When she doesn’t return home, her family is distraught and turns to Levon, the one person who they know can help.

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The Invitation – Movie Review

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TL;DR – A completely generic story slightly elevated by a cast understanding what type of film it is and playing to it.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A DNA Test.

The Invitation Review –

There is a whole world of mythology waiting to be mined for ideas, yet we always seem to come back to one or two touchstones, one of which is vampires. The question then becomes, can you do something new in a space that has been mined for hundreds of years? Probably not, but can you still make it entertaining? Well, that is the question we get to explore in today’s film, The Invitation.

So to set the scene, we open in a dark mansion on a stormy night. A woman in a white dress breaks out of her locked room and runs through the building but not seeing an escape, she decides to kill herself than stay where she is. Moving to New York City, we meet Evelyn “Evie” Jackson (Nathalie Emmanuel), a struggling ceramics artist who takes up catering jobs to make a living. After one of those jobs, she gets one of the leftover goodie bags with a DNA kit. Lo and behold, she discovered that she had a relative, a cousin called Oliver (Hugh Skinner), who happened to be coming to New York from England on business. When they meet up, Oliver invites her to the social wedding of the century at the estate of Walter De Ville (Thomas Doherty). There be red flags a plenty, but without any family of her own left, Evie takes the trip, unsure of what she will find on the other side of the pond.  

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