Tag Archives: Supernatural

Renfield – Movie Review

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TL;DR – At times, it is a delightful bloody mess, but it does struggle in places

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Dracula.

Renfield Review –

Some genres in cinema are almost timeless and resurge from time to time. The last time vampires surged to the front, they were sparkly and problematic for various reasons. But with the recent strengths of What We Do in the Shadows, it was only time until someone took that energy into the cinema space, and that is what we are looking at today.

So to set the scene, we open with Renfield (Nicholas Hoult) giving a little back history of his life since he rocked up to Count Dracula’s (Nicolas Cage) castle at the start of the 20th century. When Dracula gets injured by sunshine when hunters attack, Renfield moves the two to New Orleans to set up in the dilapidated Charity Hospital. Renfield needs to find victims to help Dracula heal, so he attends a co-dependent relationships self-help group where he hunts for abusers. However, one day while protecting Rebecca (Awkwafina) from Tedward Lobo (Ben Schwartz) and his henchmen, he saves many innocent lives, sending him on a crash course with his master.  

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We Have a Ghost – Movie Review

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TL;DR – A frustrating film sometimes, but when it finds its feet, you feel its strength and spooks.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The house at night before all hell breaks loose.

We Have a Ghost Review –

I always like to see when a filmmaker takes a spin on what they are known for. Christopher Landon has a long career in horror space with Paranormal Activity and Happy Death Day, but could he make a more family-orientated supernatural film land as well? Well, this is the question we ask as we dive into a world of ghosts, or well at least a world of a ghost.  

 So to set the scene, one night, while the Moon was full, all was quiet until screams erupted from a house bathed in eerily green light. All at once a family rushes to their car and drives away, and the house closes itself up. Kevin (Jahi Di’Allo Winston) and his family move into the rundown house one year later. There is a lot of tension between Kevin and his father, Frank (Anthony Mackie), over the move, as it is one of many the family has gone through. But as Kevin walks through the house at night, it suddenly gets cold, a chair starts moving by itself, and then a spectral presence explodes out of the walls. But instead of being scared, Kevin laughs, beginning a very different relationship with the ghost Ernest (David Harbour) as they team up to help each other.     

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Lockwood & Co. Season 1 – TV Review

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TL;DR – This was a fascinating series with an exciting premise yet to show its full hand, but I want to see where it goes.

Rating: 3.5 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

A UV Protection light for night.

Lockwood & Co. Review –

There are some shows that you check out just because there is an idea that is so interesting that you need to check it out. What happens if ghosts are real and they just start attacking people? How would that change a modern society where death is all around? It is a question that I very much wanted to find out.

So to set the scene, it has been 50 years since the problem changed the world. One day people just started to drop dead in mysterious ways at night. Soon the world discovers that ghosts or visitors have come back, and if they touch you, well, you’re dead. It was a chaotic time as the world tried to find out how to fight back until they discovered the power of Iron, Salt, and Silver and that some children and teenagers could see the visitors fight them. In 2020, one of those teenagers is Lucy Carlyle (Ruby Stokes), but after being hung out to dry by her former boss, she makes the trip to London to join one of the giant ghost agencies. But without her parent’s permission, no one will take her, well that is until she stumbles into the office of Lockwood & Co., run by Anthony Lockwood (Cameron Chapman) and supported by George Karim (Ali Hadji-Heshmati). They are the only agency that is run by the teens who are doing the dying, so they know what the stakes are. Now from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead for the show.   

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Ghostbusters: Afterlife – Movie Review

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TL;DR –  It unravelled a bit at the end, but I enjoyed the ride up till then.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid and post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this film

The family sit on a broken car.

Ghostbusters: Afterlife Review –

With our next catch-up film, we get to go back to a movie released on New Year’s Day in 2022. I had meant to watch this well before this, but there was a lot of toxicity around the film building up to release, which put me off a bit, and it never worked into the schedule until now. But what failed at Halloween is now ready at Christmas, and it is time to dive in.  

So to set the scene, on a stormy night at Shandor Mining Co., a man leads an invisible entity back to his farm. He tries to catch it, but the power fails, and the creature attacks before he can recover. With his death, his farm in Summerville, Oklahoma, reverts to his estranged daughter Callie Spengler (Carrie Coon), who is in financial struggle and moves out there with her daughter Phoebe Spengler (Mckenna Grace) and son Trevor Spengler (Finn Wolfhard). They were hoping to be able to sell the place, but nothing is straightforward, and they have to stay for a while. Things are going okay, but for the daily earthquakes with no source. That is until Phoebe finds her grandfather’s old ghost trap, and she, her friend Podcast (Logan Kim), and teacher Gary Grooberson (Paul Rudd) open it up and let out a coming doom.  

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Wednesday: Season 1 – TV Review

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TL;DR – Wonderful characters crammed into a generic “insert narrative here.”

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Nevermore Academy sign

Wednesday Review –

When you take a beloved property from the past and create a modern adaptation, you need to translate a text into a future it was not ready for. This transition can help you find a new voice for an old work or what can drown an old work as you lose what made it work in the first place. Today we look at a show that hits both of these extremes in its wild ride to make it to our screen.

So to set the scene, Wednesday Addams (Jenna Ortega) is an odd duck in the straight-laced Nancy Reagan High School. However, she is and always will be intensely protective of her family, and no one gets to torture her brother Pugsley (Isaac Ordonez) but her. Well, one application of piranhas during water polo practice later, and she is expelled from another school. Wondering what to do, her parents, Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán), decide to enrol her in their old school Nevermore Academy. Aghast at being forced to live in her parent’s shadow and her roommate Enid’s (Emma Myers) colourful room, Wednesday decides to run away. But that is when one of the students tries to murder her, and she is saved by a creature that might be disembowelling local hikers, and maybe there is a place for her here after all. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Drifting Home (Ame wo Tsugeru Hyôryû Danchi/雨を告げる漂流団地) – Movie Review

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TL;DR – A fascinating look back to the power that a home can have over us, more than just four walls and a roof.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

The clouds over an ocean.

Drifting Home Review –

At the end of last year, I realised that I had not watched enough animated films in 2021 and that needed to change in 2022. I think I succeeded on that front, but when I looked back, I realised that there was one hole in that catchup, Anime. Today I start fixing that blind spot by diving into a film full of mystery.    

 So to set the scene, in town in Japan at the onset of summer, there is an apparently haunted apartment block about to be torn down. While the old building is being removed to put something better, it is still considered ‘home’ for Natsume Touchi (Asami Seto) and Kosuke Kumagai (Mutsumi Tamura), who grew up there. However, since they moved out, the two have drifted apart as they went through separate lives. One day before they tear down the buildings, Kosuke and a group of boys visit one of the buildings and find Natsume hiding in their old apartment. As more school students show up, a concern about a mysterious boy called Noppo (Ayumu Murase), whom no one has met before but who lives in the building, raises the tension. It is all the building blocks for an argument between Natsume and Kosuke that had been percolating for months. As the two fight, Natsume slips off the roof, but before she hits the ground, a storm envelops the apartments, and the group finds themselves in the middle of the ocean, all alone.

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The Invitation – Movie Review

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TL;DR – A completely generic story slightly elevated by a cast understanding what type of film it is and playing to it.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A DNA Test.

The Invitation Review –

There is a whole world of mythology waiting to be mined for ideas, yet we always seem to come back to one or two touchstones, one of which is vampires. The question then becomes, can you do something new in a space that has been mined for hundreds of years? Probably not, but can you still make it entertaining? Well, that is the question we get to explore in today’s film, The Invitation.

So to set the scene, we open in a dark mansion on a stormy night. A woman in a white dress breaks out of her locked room and runs through the building but not seeing an escape, she decides to kill herself than stay where she is. Moving to New York City, we meet Evelyn “Evie” Jackson (Nathalie Emmanuel), a struggling ceramics artist who takes up catering jobs to make a living. After one of those jobs, she gets one of the leftover goodie bags with a DNA kit. Lo and behold, she discovered that she had a relative, a cousin called Oliver (Hugh Skinner), who happened to be coming to New York from England on business. When they meet up, Oliver invites her to the social wedding of the century at the estate of Walter De Ville (Thomas Doherty). There be red flags a plenty, but without any family of her own left, Evie takes the trip, unsure of what she will find on the other side of the pond.  

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The Green Knight – Movie Review

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TL;DR – Visually visceral, narratively interesting, and almost entirely engaging. 

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid for the Amazon Prime subscription that viewed this movie.

The Green Knight. Image Credit: Amazon Prime.

The Green Knight Review –

Everyone has a narrative style that they are just a sucker for, it could be road trip movies or WW2 war films, or like me, it is taking myths from the old and reinterpreting in a modern context. This can be the bombasticness of Greek Legend, the sharpness of Norse Legend, or, as we get today, the weirdness of Arthurian Mythology.

So to set the scene, we start the film with a bucket of water in the face as Gawain (Dev Patel) is woken up in a brothel by his lover Essel (Alicia Vikander). Gawain might be hungover, but it is Christmas morning, and Gawain has duties to attend to. While his Mother (Sarita Choudhury) stays at home, Gawain heads to the keep to the feast of King Arthur (Sean Harris) and Queen Guinevere (Kate Dickie). However, a stranger on horseback arrived during the feast, a man made of bark and leaves, the Green Knight (Ralph Ineson). Walking up to the King, he lays out a challenge, and Gawain is the only one to take up the charge.

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Last Night in Soho – Movie Review

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TL;DR – Well Last Night In Soho is a film that threatens to go off the rails at any moment yet somehow manages to hold on just by its fingertips   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, but there are images during the credits

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse

Warning – This film features sequences with flashing lights

Last Night in Soho. Image Credit: Universal Pictures.

Last Night in Soho Review –

Some directors out there have built up such a strong reputation that you know you will be checking out their next film no matter the genre/tone/story. For me, one of those directors is Edgar Wright, who has never once bored me with one of his films. Indeed, we have already gotten his take on a talking-heads documentary this year with The Sparks Brothers, and I was not going to turn down the chance to see two new films from him in the one year. I will say that this is a film that is best seen with as little information as possible, so if you are intrigued, you may want to stop reading here.

So to set the scene, Eloise “Ellie” Turner (Thomasin McKenzie) lives in rural Cornwell but has always dreamed of being a major fashion designer in London. She is obsessed with the style of the 1960s and capturing that time in her work. It was good news for Ellie when she got accepted into the London College of Fashion; thus, she made the long trip into the big city. After some interesting interactions with her roommate Jocasta (Synnøve Karlsen), Ellie moves into a bed/sit in Goodge Place being rented out by Ms Collins (Diana Rigg). This old lady had owned the property for decades. It is perfect for Ellie, but as she sleeps, she visits an apparition from the past, Sandie (Anya Taylor-Joy), a singer and dancer in 1960s London. 

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The Conjuring: The Devil Made Me Do It (The Conjuring 3) – Movie Review

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TL;DR – What starts with an interesting and creepy premise nevertheless does not have the pull to make it through to the end.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

The Conjuring: The Devil Made Me Do It. Image Credit: Warner Brothers.

The Conjuring: The Devil Made Me Do It Review –

To be honest, The Conjuring as a series is not one that had piqued my interest before. Indeed I have never watched any of the other films and spin-offs before. But I knew they were famous, and there was a real following for the franchise. However, the film’s story is based on the event where someone pleaded not guilty because of demonic possession. Well then, now you have me interested.

So to set the scene, in the town of Brookfield, Connecticut, Ed Warren (Patrick Wilson) and Lorraine Warren (Vera Farmiga) are helping a local family out after their son David (Julian Hilliard) was possessed by a demon. The demon presents itself in all its power, ripping the house apart and giving Ed a severe heart attack. Arne Cheyenne Johnson (Ruairi O’Connor) compels the demon to leave the boy and enter him in the chaos. Only Ed sees this, but he soon passes out. Ed makes it through surgery. However, by the time he can tell what is going on, a boy is walking down the street of Connecticut covered in blood.        

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