Movie Review – Dolemite Is My Name

TL;DR – A film that reveals in performances even as you sit almost in shock with what they are covering     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Dolemite Is My Name. Image Credit: Netflix.

Review

Comebacks are such a difficult thing to pull off because they rarely work, especially when you jumping into a genre that you have not been in for an age. However, if you are you need to commit fully and today we get to see a film that does just that. Full with powerful performances even as you go “They did not just say that!”.  

So to set the scene, in the 1970s Rudy Ray Moore (Eddie Murphy) is a failed record star who now spends his days working at a record store and his nights MCing at a local club. He wants to succeed but he has never had a break. Well one day when he is shoeing one of the local homeless men (Ron Cephas Jones) from the store, he listens to one of his stories and finds his moment, a comedy record. From there things take off for Rudy is now Dolemite and nobody be messing with him.

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Movie Review – BlacKkKlansman

TL;DR – Spike Lee’s BlacKkKlansman is at times hilarious, at times deeply provoking, and at no time will it hold your hand as it explores the deep centred racism in America (spoiler: it is not just America)

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

BlacKkKlansman. Image Credit: Focus Features/Universal Pictures

Review

I was not one hundred per cent sure what it was that I was getting myself into when I walked into to see BlacKkKlansman. I knew it was about a black police officer infiltrating the KKK and that it was based on a true story but that was about it. Spike Lee is a filmmaker whose work I am unfortunately not that familiar with, so was this going to be a comedy, was it going to play it straight, was it going to do both while being deeper for it? Well with that in mind let’s take a look at the race relations of the 1970s which in no way reflects on America of today … in no way …

So to set the scene, in 1972 Ron Stallworth (John David Washington) is hired as the first black police officer in Colorado Springs. While this is meant to be a step forward for race relations, Ron is hidden away in the records room taking abuse from his fellow police officers. That is until one day an important African-Amerian activist Kwame Ture (Corey Hawkins) comes to town and they need someone to go undercover at the speech and well every other member of the police force would stand out. It is here where he meets Patrice Dumas (Laura Harrier) one of the event organisers, and listens to the speech which focuses on promoting the cause of African people from white oppression, up to and including armed resistance. Happy with his success the police decide to move Ron into the intelligence division and on his first day he responds to an ad in the paper about a new KKK chapter starting up in the town. One slight problem, just a small thing really, but it kind of won’t work if they ever have a face to face meeting. So Ron enlists officer Flip Zimmerman (Adam Driver), Ron is Ron on the phone, and Flip is Ron in person, and all of it flows from there.

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