TL;DR – I’d be honestly surprised if “what if Bonnie and Clyde were Frankenstein and his Bride” was not written somewhere prominently in the pitch deck for this film.
Post-Credit Scene – There is a mid-credit scene.
Disclosure – I was invited to a press screening of this film.
Warning – This film contains scenes which may cause distress.
The Bride! Review Introduction –
If you had told me a few years ago that Gothic Romance would come crashing back into the zeitgeist, I would have called you a fool. But indeed, it seems that I would have been the foolish one. Because we have had multiple big entries into this space, including other works adapting Frankenstein. Today, we are looking at a work that takes that classic tale and twists it on its head, and I am intrigued to see just how that works out.
So, to set the scene, it is Chicago in the 1930s, the casinos are hot, the liquor is flowing, and the mob has their fingers in everything. Frank (Christian Bale) has been going through this world alone, but now he wants a partner in crime, and Dr. Euphronious (Annette Bening) might be just the person to do it. Thus, a local murdered and possibly possessed woman’s body becomes The Bride (Jessie Buckley). It was all very simple to pull off, but they may have got more than they bargained for.
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