Thor: Love and Thunder – Movie Review

TL;DR – While it was missing some of the substance of the last film, I found Thor: Love and Thunder to be a fun romp through the galaxy.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid and a post-credit scene

Disclosure – I paid to see this film.

Thor sits under a tree as four suns set.

Thor: Love and Thunder Review

I don’t think I have made it any secret that I found Thor: Ragnarok one of the best films in the MCU, and indeed a film that I will always sit down and watch when it is on. But I thought this would be a one-off because of some unwritten rule that stops solo films after three outings. Well, call me surprised when it was announced that we were getting Thor 4 because that was probably the best news out of this somewhat fractured start of Phase 4.

So to set the scene, we open in on a parched land as Gorr (Christian Bale) and his daughter Love (India Hemsworth) walk one step at a time, praying for deliverance from their god Rapu (Jonny Brugh). But there is none to be found as Love dies from exposure. Gorr is beside himself when he hears voices in the wind and stumbles into an oasis, where Rapu is having a glorious feast and does not give a hoot about Gorr or his daughter. In that moment of horrific destruction of faith, the Necrosword appears in his hand, and he slays the god and begins a campaign to exterminate all the gods. Meanwhile, Thor (Chris Hemsworth) has been hanging out with the Guardians of the Galaxy, trying to find his place in the world. When Lady Sif (Jaimie Alexander) calls out, Thor comes to her aid and discovers that a mad man has their next target, New Asgard.

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Movie Review – Mowgli: Legend of the Jungle

TL;DR – While at times this film has moments of technical brilliance, huge issues with tone, and a story we already know to death means that the film ends up being just dull.     

Score – 2 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Mowgli: Legend of the Jungle. image Credit: Netflix

Review

There are warning signs in the industry that happens sometimes that lets you know a studio is not really confident with what they are about to release. This could be not screening it for critiques,or putting an embargo on reviews before release, or in this day and age it is a film suddenly disappearing from the cinema schedule and being sold off to Netflix. Now, this is not always a case of it being a bad film, just a case of the distributors not knowing what they have, see this year’s Annihilation(see review). However,today we look at a film that probably falls squarely into this category.

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