Tag Archives: Eugenie Bondurant

Werewolf by Night in Color – Movie Review

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TL;DR – A delightful romp through times past, made with the techniques of today, Now in Color.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Disney+ service that viewed this film.

Marvel Studios logo in color.

Werewolf by Night in Color Review –

Last year, we reviewed Werewolf by Night, an experiment and, honestly, one of the best things that the MCU put out on Disney+ … and much to my despair, no one watched it. Well, they are taking a second crack at the project by presenting it “In Color”, so on this final day of the spooky season, it feels like the perfect time to jump back in and see if the colour has changed anything. To save you searching, we will begin with the review we wrote for it the first time out and then look to see if the “In Color” changed anything.     

So to set the scene, we open on a dark night in a mansion deep in the woods where Ulysses Bloodstone’s (Richard Dixon) funeral is about to take place. All across the globe, the hunters gathered because this was both a funeral and a hunt. Whoever of the death dealers wins the ceremonial hunt gets the coveted Bloodstone, a relic of immeasurable power. But one of the hunters may actually be the hunted? 

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Werewolf by Night – Movie Review

Posted on by
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TL;DR – A delightful romp through times past, made with the techniques of today.    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ service that viewed this film.

Marvel Studios logo in black-and-white.

Werewolf by Night Review –

Given that today is the culmination of the spoopy season, I wanted to delve into something a little horror or horror-adjacent. But I didn’t have much time between everything I had to do and what I wanted to see. Good thing something I needed to catch up on was only one hour long. Also, after loving his musical composition and watching his take on Short Treks, I wanted to see what Michael Giacchino could do with a longer runtime.  

So to set the scene, we open on a dark night in a mansion deep in the woods where Ulysses Bloodstone’s (Richard Dixon) funeral is about to take place. All across the globe, the hunters gathered because this was both a funeral and a hunt. Whoever of the death dealers wins the ceremonial hunt gets the coveted Bloodstone, a relic of immeasurable power. But one of the hunters may actually be the hunted?  

Continue reading →