M3GAN 2.0 – Movie Review

TL;DR – When it lands on the surreal nature of the premise, it is a blast to watch. When they need to forward the plot, you can feel the gears grinding to a halt.  

Rating: 3 out of 5.

Post-Credit Scene – There is no end credit scene.

Disclosure – I was invited to a press screening of this film.

M3GAN stuck in a child's toy.

M3GAN 2.0 Review

Back in 2023, there was this weirdly wonderful thing that sliced its way into the world. M3GAN was filled with equal parts of camp and horror, but ended in a tidy, neat bow. Well, suppose you know anything about horror, especially artificial antagonists, you know that there is always a way to bring them back from the dead, and sure enough, it is now time to jump into the second iteration of M3GAN.

So, to set the scene, in the years since M3GAN (Amie Donald/Jenna Davis) was deactivated during her murderous rampage, trying to protect Cady (Violet McGraw) by killing everyone around her. Her inventor, Gemma (Allison Williams), has been looking at ways to bring the world forward without the dangers of technology. But after a heavy-handed FBI raid after a botched operation on the Iranian/Turkish border led by Saudi Arabia, they discover that someone has stolen the coding for M3GAN and built their own robot called AMELIA (Ivanna Sakhno), who has gone on a rampage, killing everyone involved in her construction. There seems to be a theme here. But this could also include Gemma and Cady. So, how do you stop a robot on a murderous rampage? Well… maybe you can look a bit deeper into who is running the tech in your house and perhaps let them out of their digital cage. I’m sure nothing could go wrong …     

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M3GAN – Movie Review

TL;DR – A weirdly wonderful film, full of camp and tension.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

M3GAN in a pile of soft toys.

M3GAN Review

Artificial life discovering sentience is one of those thematic moments that can land you on the whole spectrum of cinema. It can be thought-provoking life After Yang, menacing like 2001: A Space Odyssey, or could flip about in between, such as Lost in Space. Today we look at a film that skews more towards the menacing, where we see that Asimov might have been on to something.

So to set the scene, Cady (Violet McGraw) is travelling with her family when tragedy strikes, and she is left alone to go live with her aunt Gemma (Allison Williams). Her aunt is not ready to be a parent, and both struggle to bond until Gemma shows Cady what she is working on. A new toy and AI robot girl called M3GAN (Amie Donald/Jenna Davis) that pairs and bonds with her primary user. Everything is going well until one day, when they have a conversation about death.

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