That ’90s Show: Season 1 – TV Review

TL;DR – While it had a rough start, it found its feet and became something full of charm.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

The gang on the couch.

That ’90s Show Review

The wheel of nostalgia always grinds on, and I think that was why I didn’t think much of when they announced that they would be doing a follow-up to That ‘70s Show set in the 1990s. This was a nostalgia ouroboros. But today, I needed something on the TV as I cleaned and packed the house, and as time went on, I found myself becoming more and more entwined with the show.  

So to set the scene, it is an excellent day in the Forman household because Kitty (Debra Jo Rupp) is getting ready for a visit from Eric (Topher Grace), Donna (Laura Prepon), and their daughter Leia (Callie Haverda). Red (Kurtwood Smith) is happy with the quiet, but Kitty misses the sounds of the house being busy. While they were only meant to be there for the weekend, Leia found a bunch of friends, including her neighbours Gwen (Ashley Aufderheide) and Nate Runck (Maxwell Acee Donovan), Nate’s girlfriend Nikki (Sam Morelos), the sassy Ozzie (Reyn Doi), and of course a Kelso, Jay (Mace Coronel). Leia was meant only to stay the weekend, but after making connections, she cons her parents into staying for the whole summer. Now from here, we will be looking at the season as a whole, so there will be [SPOILERS] ahead for the show.   

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Bros – Movie Review

TL;DR – While incredibly funny at times, it loses its momentum under the weight of the narrative.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Bobby Lieber records the podcast.

Bros Review

If there is one genre that has almost standardised its narrative, it is the Romantic Comedy. For better or worse, when you go into one of these films, especially the plethora of made-for-tv films that come out during the holidays, you can probably chart the course of the movie in the first five minutes. The business lady will discover she wants a family too. The widower will find love in the most unlikely [i.e. very likely] place. Old lovers, now foes, will become lovers again. This is not necessarily bad. You can still do great things with a tried-and-true formula, but I am always looking for a film that could break through those models, and we might have just such a film today.    

So to set the scene, Bobby Lieber (Billy Eichner) is a podcast host of The Eleventh Brick at Stonewall and has been chosen to be the curator of a new National LGBTQ+ History Museum in Manhattan. It is his dream job, and his complete focus, which, given he is incredibly single, works well for him. He prides himself on his independence, even if that means some awkward hook-ups along the way. However, one night at a nightclub, he connects with Aaron (Luke Macfarlane), who ghosts him, un-ghosts him, and then ghosts him again. It is perplexing, but for some reason, it makes Bobby more interested in discovering just what his deal is.

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