TL;DR – While incredibly funny at times, it loses its momentum under the weight of the narrative.
Post-Credit Scene – There is no post-credit scene
Disclosure – I was invited to a press screening of this film.
Bros Review –
If there is one genre that has almost standardised its narrative, it is the Romantic Comedy. For better or worse, when you go into one of these films, especially the plethora of made-for-tv films that come out during the holidays, you can probably chart the course of the movie in the first five minutes. The business lady will discover she wants a family too. The widower will find love in the most unlikely [i.e. very likely] place. Old lovers, now foes, will become lovers again. This is not necessarily bad. You can still do great things with a tried-and-true formula, but I am always looking for a film that could break through those models, and we might have just such a film today.
So to set the scene, Bobby Lieber (Billy Eichner) is a podcast host of The Eleventh Brick at Stonewall and has been chosen to be the curator of a new National LGBTQ+ History Museum in Manhattan. It is his dream job, and his complete focus, which, given he is incredibly single, works well for him. He prides himself on his independence, even if that means some awkward hook-ups along the way. However, one night at a nightclub, he connects with Aaron (Luke Macfarlane), who ghosts him, un-ghosts him, and then ghosts him again. It is perplexing, but for some reason, it makes Bobby more interested in discovering just what his deal is.