Stop! That! Train! – Movie Review

TL;DR – The idea of Airplane! reimagined through the lens of Drag is an interesting concept, but unfortunately, everything about this film is so one-note that it is not enough to hide the many issues.

Post-Credit Scene – There is a mid- and end-credit scene.

Disclosure – I paid to watch this film.

Many faces of RuPaul.

Stop! That! Train! Review Introduction

I had the afternoon off, and it is cheap Tuesday at my local cinemas, so I decided to go in blind and see what movies were available that I have not watched before. Today’s review was the first of those possibilities, which started strong, but I am not sure it ever delivered.

So, to set the scene, Tess (Ginger Minj) and DeeDee (Jujubee) are working on Stank Rail as train stewardesses when suddenly the train line is shut down. Not wanting to get broken up, they hear that the luxurious Glamazonian Express, the only high-speed railway in the USA, needs two fill-in stewardesses. Well, they jump at the opportunity. But what they don’t know is that in the United States Train Command Center, Donna Dusk (Rachel Bloom) has discovered that the Glamazonian Express is heading straight towards a rare Stormaganza, a weather event that few have lived to talk about.   

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Bros – Movie Review

TL;DR – While incredibly funny at times, it loses its momentum under the weight of the narrative.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Bobby Lieber records the podcast.

Bros Review

If there is one genre that has almost standardised its narrative, it is the Romantic Comedy. For better or worse, when you go into one of these films, especially the plethora of made-for-tv films that come out during the holidays, you can probably chart the course of the movie in the first five minutes. The business lady will discover she wants a family too. The widower will find love in the most unlikely [i.e. very likely] place. Old lovers, now foes, will become lovers again. This is not necessarily bad. You can still do great things with a tried-and-true formula, but I am always looking for a film that could break through those models, and we might have just such a film today.    

So to set the scene, Bobby Lieber (Billy Eichner) is a podcast host of The Eleventh Brick at Stonewall and has been chosen to be the curator of a new National LGBTQ+ History Museum in Manhattan. It is his dream job, and his complete focus, which, given he is incredibly single, works well for him. He prides himself on his independence, even if that means some awkward hook-ups along the way. However, one night at a nightclub, he connects with Aaron (Luke Macfarlane), who ghosts him, un-ghosts him, and then ghosts him again. It is perplexing, but for some reason, it makes Bobby more interested in discovering just what his deal is.

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