TL;DR – A profound exploration of a deep plutonic friendship that lasts through the ages.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The Eight Mountains Review –

Cinema has a long history of being able to chart romantic or sexual relationships. Indeed, we have entire genres dedicated to their exploration. But what we don’t see engaged with as often is close platonic relationships. Which is odd because everyone has them, but rarely do they become the focus of a film. Well, today, we explore a film that cuts to the heart of just such a relationship as two wayward souls crash into each other and spin apart.

So to set the scene, Pietro’s (Lupo Barbiero) family decided to get out of the clawing bustle of Turin in the summer and escape into the mountains. They picked a town almost abandoned by people leaving to find work to rent a house, which is where he meets Bruno (Cristiano Sassella). It would have been hard for them to miss each other as Bruno was the last child left in the village, but they soon became inseparable. But Pietro is just there for the summer, and Bruno is there for life, which sets them on two very different paths.