Tag Archives: Italian Cinema

7 Women and a Murder (7 Donne e un Mistero) – Movie Review

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TL;DR – A whimsical romp of a film that I wish just had a touch more substance.    

Rating: 3 out of 5.

Post-Credit Scene – There are some mid-credit scenes

Disclosure – I paid for the Netflix service that viewed this film.

A murder most foul.

7 Women and a Murder Review –

The stampede of new murder mysteries comes onto the scene. I have gotten a chance to see a lot of English-language films dancing in this space. But it is time to branch away from that and explore how the rest of the world is dabbling in this space. Our first stop is Italy, where the bigger scandal is not that someone is having an affair but that someone has an unrequited love.  

So to set the scene, it is a cold and wintery Christmas Eve as several women make their way to an estate in the Italian countryside. There are seven different women in that house that day. The Daughter Susanna (Diana Del Bufalo), The Maid Maria (Luisa Ranieri), The Mother-In-Law Rachele (Ornella Vanoni), The Wife Margherita (Margherita Buy), The Aunt Agostina (Sabrina Impacciatore), The Little Sister Caterina (Benedetta Porcaroli), and The Lover Veronica (Micaela Ramazzotti). But when they wake up the patriarch of the house, Marcello (Luca Pastorelli), The Maid finds him dead with a knife in his back. A murder most foul. But who is the killer? Is one of them? Or is someone else prowling the house, waiting to strike? Which is right when the electricity starts to flutter.   

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Robbing Mussolini (Rapiniamo il Duce) – Movie Review

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TL;DR – It might not stick the landing, but it was an interesting romp through Italy at the end of WW2.   

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

The crew in cartoon form.

Robbing Mussolini Review –

If there is one genre I adore when it is done well, it is a Heist film. The setup, the betrayals, the secret moments that impact all, and then the suspense. Add to that a true story, well as the film admits a true-ish story, a location that is impossible to enter, and a looming end to the war with a seven-day countdown. Well, you have a good foundation for a Heist.

So to set the scene, we are in Milano (Milan) in 1945 at the tail end of WW2. Chaos abounds at fascist checkpoints in the city, as the Allies have already taken the south, and the march north has begun. It is a difficult time, with the Italian Fascists and Nazis on edge. In a movie theatre as Mussolini’s propaganda blares Isola (Pietro Castellitto), one of the last black marketers and Yvonne (Matilda de Angelis), a noted singer plot. For you see, there are riches in Milan that are about to be looted from the city, well, not if they have anything to say about it. I mean, it was not for entirely altruistic reasons, but altruistic adjacent.

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Rose Island (L’incredibile Storia Dell’isola Delle Rose) – Movie Review

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TL;DR – A strangely completing story if a bit flawed in its execution   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Rose Island (L'incredibile Storia Dell'isola Delle Rose). Image Credit: Netflix.

Rose Island Review –

One of the things about getting to watch a story based on a true story is that reality is often weirder than fiction. One of the more bizarre parts of world history has been the drive to create micro-states that have popped up across the world. Today we look at a story about one that was built off the coast of Italy.

So to set the scene, we open in Strasburg in 1969 at the Council of Europe. Here a sick Giorgio Rosa (Elio Germano) is waiting to be heard. After working out a scheme to get rid of him, the officials actually read his brief and become compelled to hear him out, for they want to hear about the Island that Rosa built. We then flashback over a year to when he was still a student in Bologna and crooning for Gabriella (Matilda De Angelis) who broke off their relationship three years earlier. After another run-in with the authorities, the eccentric builder tries to find a way to get away from the retractions of government, and international waters seemed like a good start.    

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The Match (La Partita) – Movie Review

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TL;DR – An interesting proposition; however, the narrative gets muddled and does not recover.      

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

The Match (La Partita). Image Credit: Netflix.

Review –

If there is one genre of films that you can count on to bring the tension, it is the sporting genre, even more so if we are focusing on a single match. This is because there is an in-built timer to all the chaos, you only have 90 minutes in a game, and then there is a winner. You can feel that timer counting down, and will your team win or lose, who knows. The rise of success, the fear of failure, it is a potent combination. Well, today we look at a film that captures all of that.  

So to set the scene, we open in the suburbs of Rome with a local football team Sporting Roma that is the heart of the community even though it has never won a ‘bleeping’ thing. On a football pitch that is just dirt, two teams fight a contest that the referee has a very one-sided view of while a coach Claudio Bulla (Francesco Pannofino) screams from the side-line. It is the final with the team facing off against their main rivals from Milan and star player Antonio ‘Anto’ (Gabriele Fiore) is having a bad game. However, as we soon find out, there is more riding on this game than first realise.

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Movie Review – Ultras

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TL;DR – An interesting film, exploring interesting issues, but does not quite come together   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Warning – There is a lot of strobe lighting used in a sequence towards the end.

Ultras. Image Credit: Netflix.

Review –

For me, sports, particularly football is something that I have only really gotten into recently. So it is something that I have tried to explore more, with what makes it tick, what drives it, and what drives people to love it. Well, today we have a film from Italy that explores all of this, but from a different perspective, that of the hardened supporters of the Italian football league.

To set the scene, we open in as a man walk through a crowd where everyone knows his name, as we wander through the town we arrive at a wedding, where flares are lit and everyone is having a good time. Which is of course when we cut to a montage of the more colourful moments in Italian football history, full of riots, flares, and a long rivalry between teams from Naples and Rome, or Napoli and Roma. It here where we see that behind the bravado is a sadness, a sadness of time gone by.  

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Movie Review – The Man Without Gravity (L’uomo Senza Gravità)

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TL;DR – A film that explores the joyous and sad moments if our lives through the prism of someone who falls out of societies prism of normality.    

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene but there is a kickass song about Batman so that’s something.

The Man Without Gravity (L'uomo Senza Gravità). Image Credit: Netflix.

Review –

Having a baby is one of the most joyous moments in your life, however, it can also be full of dread. Will the baby be okay, will I, what will our future be, have we baby-proofed the house? However, I don’t think anyone has had to deal with “what are our strategies for getting the baby off the ceiling.”

So to set the scene, in a small town in Italy a car races the nearest medical centre as that time has come. Natalia (Michela Cescon) is rushed into that hospital with only her mother Alina (Elena Cotta) at her side. But this is not a normal pregnancy because as the baby comes out it begins to rise into the ceiling with only the umbilical cord keeping it attached. Natalia races out of the centre without leaving her name but when they get home they call the boy Oscar as he is like an American superhero. All it well for a moment until that is the local gossips come around to see the baby.

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Movie Review – Call Me By Your Name (Chiamami Col Tuo Nome)

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TL;DR – A beautifully films film, with a great cast, but the story does not always work for me

Score – 4 out of 5 stars

Post-Credit Scene – No

Call Me by Your Name

Review –

So I have to admit this was a hard film to track down near me, which is why this review is quite late compared to many others, however, after an hour trip into town I finally got the chance to give Call Me By Your Name a watch. Well as my father never says, better late than never, so let’s dive into the world of the Italian countryside in the 1980s.

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