Slumberland – Movie Review

TL;DR – A film that might have some of the most out-there performances I have seen but was missing a bit of substance in places.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film

Flip and Nemo dance in the streets of a glass city.

Slumberland Review

Grief is always a complex emotion for a film to land. Sure, you can phone it to get some emotional engagement from your audience, but if you want to tap into something more profound, that is a lot of work. Add to this the nuance needed when building a film directed towards a younger demographic, and you get the film we are looking at today.

So to set the scene, we open on a lighthouse on an island where Nemo (Marlow Barkley) lives with her father, Peter (Kyle Chandler). Nemo knows everything about the lighthouse, and every night Peter tells her stories of Flip (Jason Momoa) and the adventures they had when he was a kid. But when Peter is lost at sea during a rescue, Nemo must leave the lighthouse and live with her uncle, whom she never met and who lives in the city. No one is happy with this move. However, when Nemo goes to sleep, she is surprised when her soft toy pig comes alive, and even more so when her bed wakes up and smashes out of her window, taking her back to the lighthouse, but not quite as she remembers it, and someone from her father’s past is waiting for her.     

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Wednesday: Season 1 – TV Review

TL;DR – Wonderful characters crammed into a generic “insert narrative here.”

Rating: 3 out of 5.

Disclosure – I paid for the Netflix service that viewed this series.

Nevermore Academy sign

Wednesday Review

When you take a beloved property from the past and create a modern adaptation, you need to translate a text into a future it was not ready for. This transition can help you find a new voice for an old work or what can drown an old work as you lose what made it work in the first place. Today we look at a show that hits both of these extremes in its wild ride to make it to our screen.

So to set the scene, Wednesday Addams (Jenna Ortega) is an odd duck in the straight-laced Nancy Reagan High School. However, she is and always will be intensely protective of her family, and no one gets to torture her brother Pugsley (Isaac Ordonez) but her. Well, one application of piranhas during water polo practice later, and she is expelled from another school. Wondering what to do, her parents, Morticia (Catherine Zeta-Jones) and Gomez (Luis Guzmán), decide to enrol her in their old school Nevermore Academy. Aghast at being forced to live in her parent’s shadow and her roommate Enid’s (Emma Myers) colourful room, Wednesday decides to run away. But that is when one of the students tries to murder her, and she is saved by a creature that might be disembowelling local hikers, and maybe there is a place for her here after all. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Bones and All – Movie Review

TL;DR – A modern fairy tale coming-of-age road trip through middle America where two young people find love while eating people because they are cannibals.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Warning – This film contains scenes that may cause distress

Timothée Chalamet's eyes

Bones and All Review

Rarely have I walked out of a film, and my first thoughts were, ‘well, that was a lot!’. However, I think that statement perfectly defines those first moments as the credits rolled and the multitudes of thoughts from the audience leaving the theatre filtered past me. If nothing else, Bones and All is a movie that elicits strong responses from the people who watched it, but I am not sure they were all positive.

So to set the scene, Maren Yearly (Taylor Russell) spends time by herself at high school but finally starts to find some friends. She slips out of the house she is locked into to go to a sleepover, and everything is going well until she bites her friend’s finger off. Her dad Frank (André Holland), gives her 3 minutes to pack before they move, something they have clearly done before. Moving to a new state, Maren wakes up one morning to find her dad missing and only a tape-recorded note left. Maren then has to find her place in the world all alone/ Well, maybe not completely alone because there may be more people like her. But they may not be friendly.

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Everything Everywhere All at Once – Movie Review

TL;DR – You may have been told how wild this film is, but trust me, whoever was talking to you was completely underselling it.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film

Everything Everywhere All at Once. Image Credit: A24.

Everything Everywhere All at Once Review

The word surreal gets thrown around quite a bit and usually means something that might be a bit cerebral or weird or maybe both. But for something to be genuinely surreal, it needs to challenge the nature of reality, to contest the very bedrock we live our lives on. Films will often dip their toes into the surreal, but every now and again, a film will dive in headfirst. Today, we are looking at just such a film that just might nail everything it sets out to do.

So to set the scene, in a city in America, Evelyn Wang (Michelle Yeoh) lives above the laundromat that she runs with her husband Waymond (Ke Huy Quan). Things are pretty stressful for Evelyn at the moment. The IRS is auditing the business. She is trying to put together a party for he estranged father, Gong Gong (James Hong), she is feuding with her daughter Joy (Stephanie Hsu), and Waymond is about to drop divorce papers on her. As they arrive at the IRS to be audited by Deirdre Beaubeirdra (Jamie Lee Curtis), Waymond suddenly changes into a completely different person. He declares that Evelyn is in trouble because a force from another universe is hunting her down, and it just might have found its prey, and that is when the alarms go off.

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Luca – Movie Review

TL;DR –  A film that is a pure delight from start to finish.  

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Disclosure – I paid for the Disney+ subscription that viewed this movie.

Luca. Image Credit: Disney.

Luca Review

We have a longing for those moments in our childhood when everything seemed to come together. I think this is an almost universal drive in people, the place and location might be different, but that drive is still the same. Today we look at a film that captures this drive and crafts it into a narrative that will delight.

So to set the scene, once evening off the coast of the Italian Riviera, two fishermen decide to fish close to Isola del Mare even though the reputation that monsters surround it, which was sort of true because around the island live a village of sea people. Among the sea people/monsters is Luca Paguro (Jacob Tremblay), who lives with his family herding goatfish. However, one day in the fields, a human approached collecting the flotsam on the bottom of the ocean. Luca runs but soon finds that this is not a human but another sea person called Alberto Scorfano (Jack Dylan Grazer). Alberto lives on the surface in a tower because once a sea person leaves the water, they can turn into a human when they dry out. 

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Last Night in Soho – Movie Review

TL;DR – Well Last Night In Soho is a film that threatens to go off the rails at any moment yet somehow manages to hold on just by its fingertips   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, but there are images during the credits

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse

Warning – This film features sequences with flashing lights

Last Night in Soho. Image Credit: Universal Pictures.

Last Night in Soho Review

Some directors out there have built up such a strong reputation that you know you will be checking out their next film no matter the genre/tone/story. For me, one of those directors is Edgar Wright, who has never once bored me with one of his films. Indeed, we have already gotten his take on a talking-heads documentary this year with The Sparks Brothers, and I was not going to turn down the chance to see two new films from him in the one year. I will say that this is a film that is best seen with as little information as possible, so if you are intrigued, you may want to stop reading here.

So to set the scene, Eloise “Ellie” Turner (Thomasin McKenzie) lives in rural Cornwell but has always dreamed of being a major fashion designer in London. She is obsessed with the style of the 1960s and capturing that time in her work. It was good news for Ellie when she got accepted into the London College of Fashion; thus, she made the long trip into the big city. After some interesting interactions with her roommate Jocasta (Synnøve Karlsen), Ellie moves into a bed/sit in Goodge Place being rented out by Ms Collins (Diana Rigg). This old lady had owned the property for decades. It is perfect for Ellie, but as she sleeps, she visits an apparition from the past, Sandie (Anya Taylor-Joy), a singer and dancer in 1960s London. 

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Exploring the Past – Stardust (2007)

TL;DR – A pure fun ride from start to finish, the kind that leaves a smile on your face for a time after you finish watching it.   

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Stardust. Image Credit: Paramount.

Review

There are some films out that that you can only watch once and then there are those that you can watch any time someone suggests it. Today we are looking at the latter, a film that is full of joy from start to finish.

So to set the scene, in the 1800s in Great Brittan there was a little town called Wall. It was a mostly unremarkable little hamlet bar for one odd feature an old wall that runs along its boundary that has an old man (David Kelly) guarding the only opening. Well, one day a young man from the village call Dunstan Thorn (Ben Barnes) decided to go see what was on the other side of the wall. Here he found a marketplace full of bizarre creatures for sale and also servant girl (Kate Magowan) enslaved to an evil witch Ditchwater Sal (Melanie Hill). It was almost a fever dream until nine months later when a baby arrived at Dunstan’s door. Eighteen years later and the young boy Tristan (Charlie Cox) is now grown up and trying to court Victoria (Sienna Miller) when he makes a suggestion that he chases down a falling star and brings it back as proof of his affections. The only problem is that the Star fell across the wall in Stormhold, the star is not an it but a she in Yvaine (Claire Danes), and also Stormhold’s king (Peter O’Toole) has just died and the remaining heirs are trying to track down the necklace that brought Yvaine crashing to the ground, and also also, there is a witch Lamia (Michelle Pfeiffer) who is very interested that a new star has fallen because she would very much like to cut out its heart and eat it.

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Movie Review – The Killing of a Sacred Deer

TL;DR – No matter how well it is filmed or acted, I can’t recommend it on the story alone which is a deeply disturbing slog with no real redeemable features.

Score – 1.5 out of 5 stars

The Killing of a Sacrificial Deer. Image Credit: 20th Century Fox.

Review

Oh boy, is this is a tough film to review, and I am going to be honest right from the start that I’ll be quite negative towards the film because of its subject material. Now you might agree with this or not, but for me personally, I found this film to be deeply disturbing and frankly I completely understand why people walked out of my showing. Just a warning that there will be major spoilers in this review.

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