TL;DR – Weird and wonderful in equal measure.

Score – 4.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Phoenician Scheme Review –

Today, we are going to experience a touch of tonal whiplash when it comes to our film reviews. Because we are going from Fountain of Youth, where I could not tell was directed by Guy Ritchie as all his signature stull was sandblasted out of the film, and in the days since I am still wondering if he actually directed that film. But now we are hard cutting to the opposite side of that spectrum with the most stylistic director working in the field today. A man with a stylistic pallet that is oft copied but never replicated. I was first introduced to Wes Anderson’s work through Isle of Dogs and Asteroid City and was delighted by his reinterpretations of Roald Dahl’s short stories like Poison a couple of years ago. This means I came into this with somewhat high expectations, and I think they met them and more.  

So, to set the scene, in 1950, Zsa-zsa Korda (Benicio del Toro) is flying above the Balkin mountains when an explosion rips apart his plane, yet miraculously, he survives, for this is not the first assassination attempt on his life. He feels like his life work might get cut off by influential players seeking to ruin him and realises that his legacy is not going to be passed down to his ten other sons. Zsa-zsa calls upon his one and only daughter, Sister Liesl (Mia Threapleton), who is about to take her nun oaths. However, he offers her a deal, well, a trial run, at being his sole heir to his fortune, as long as he can fill in the gap in this funding that the shadowy powers just forced upon him. Oh, and stop all the many, many, many people trying to kill him.