Tag Archives: Mel Gibson

Desperation Road – Movie Review

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TL;DR – An exploration of the enduring legacy of trauma and the damage it can leave if you can get past one particular plot point.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Warning – Contains scenes including flashing lights.

Maben runs with her daughter.

Desperation Road Review –

Today, we come into a film with more than a bit of trepidation. On the one hand, we have Garrett Hedlund, whose work I have generally enjoyed and whose Tron Legacy lives rent-free in my brain. However, then we have Mel Gibson, who was once a force of nature, but when I last saw him in The Continental, he was an anchor that held the entire production back, though to be fair, that was not the show’s only issue. How is this dichotomy going to work? Well, it turns out the answer was Willa Fitzgerald.    

So, to set the scene, Maben (Willa Fitzgerald) and her daughter Analee (Pyper Braun) hit hard times as they made their way on foot to Mississippi. But when a police officer sexually assaults Maben, and then she shoots him in self-defence. This is bad, really bad. Meanwhile, Russell (Garrett Hedlund) is just getting off a bus from jail when he gets a beat down, with a promise that his debt is not paid. After a chat and a gun pick from his father Mitchell (Mel Gibson), he heads home to find a recently renovated house, now with no windows and glass everywhere. These two worlds are about to collide explosively because there are few secrets in a small town.    

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The Continental (The Continental: From the World of John Wick): Theatre of Pain & Full Series – TV Review

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TL;DR – While the final episode sort of sticks the landing, the series is still a bit of a mess when you look at it as a whole.  

Rating: 2.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

The Coin Press.

The Continental Review –

If there has been one disappointment this year, it has been the John Wick prequel about how Winston took over The Continental Hotel. So far, it has been full of missed opportunities and convoluted storylines. It was a bland entry into a fascinating universe. However, there is one more episode, and there is still a chance that they can stick the landing.

So to set the scene, it is D-Day as Winston (Colin Woodell) has his team come together to take out Cormac O’Connor (Mel Gibson) and usurp his position as head of the Continental Hotel. However, Charon (Ayomide Adegun) tipped Cormac off that something was afoot and sent his armies to stop it. But it just might be the meddling of the cops, as KD Silva (Mishel Prada) and Mayhew (Jeremy Bobb) start closing in. Now from here, we will be looking at the episode and season as a whole, so there will be [SPOILERS] ahead.

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The Continental (The Continental: From the World of John Wick): Loyalty to the Master – TV Review

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TL;DR – Continued floundering makes those moments when it tries to do something feel lacklustre.

Rating: 2.5 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

Staring at a cremation urn.

The Continental Review –

Well, hmmm, I have enjoyed everything we have gotten from the John Wick universe so far. However, last week’s opening, Brothers in Arms, fell flat in many ways. Now, this is only a miniseries, and the first episode was primarily set-up, which means it may take off from this week.

So to set the scene, it was The Bronx in 1955, and two young boys throw a Molotov cocktail through a window under orders, only to find there were people in there. In the present, Winston (Colin Woodell) manages to get in to see his dead brother Frankie’s (Ben Robson) corpse to say goodbye and collect his personal items before it is cremated. It is a focusing moment for Winston, and a plan is formed: it is time to kill Cormac (Mel Gibson). Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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The Continental (The Continental: From the World of John Wick): Brothers in Arms – TV Review

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TL;DR – This is a perfectly okay introduction, but by attaching itself to this world, it wrote checks that it has so far been unable to cash.  

Rating: 3 out of 5.

Disclosure – I paid for the Amazon Prime service that viewed this series.

Standing alone in a crowded subway platform.

The Continental Review –

If there has been one world that has delighted me over the last decade, it has been John Wick and its universe. Indeed, I wrote a whole article on how it was a Masterclass in Visual Storytelling and Worldbuilding. The more we heard about this world, the more fascinated I was with it. However, prequels are always dicey propositions, as we see today.

So to set the scene, it is 1955 in New York City, and a young Winston is learning the hard life that can come from the world he is in. Years later, we find a world of sex, drugs, and club techno as the world sings in a new year. But that is not just any New Year’s Eve party. It is one held in The Continental, and as they countdown to ‘Happy New Year, ’ something goes boom. But there are some rules that you just don’t break. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.

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Movie Review – Hacksaw Ridge

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TL;DR – Hacksaw Ridge might be one of the best war movies I have ever seen, stunning visuals, a strong cast and emotive storytelling, I highly recommend going to see Hacksaw Ridge

Score – 5 out of 5 stars

Hacksaw Ridge. Image Credit: Lionsgate.

Review –

So here we are in 2016, the Cubs are doing well at baseball, England voted to leave the European Union, and I’m talking about a Mel Gibson directed film which may just be my film of the year … ok at this point we all just have to agree that 2016 has been a really weird year. But strange as it may be, nothing can take away from the power that is Hacksaw Ridge, it is a stunning film, but also a really emotional film, and all of that comes down to the amazing power of the cast, the work of Mel Gibson with direction, and the rest of the crew in producing such a powerful film.

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