TL;DR – Drop is uncomfortable and unsettling but also deeply compelling. It’s one of those thrillers that has you on the edge of your seat, wondering if anyone will make it out alive.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening.

Warning – Contains scenes that may cause distress.

Drop Review –

Even though film is an old visual medium, it is always trying to connect with and incorporate modern technology. While some films like Searching take that concept to the extreme, others sit back and pick the lazy option and just show a message pop up on a screen. It takes a lot to have modern technology fit naturally into your movie. But today, we look at an entry that just might pull that off.

So, to set the scene, Violet Gates (Meghann Fahy) is a single mother to Toby (Jacob Robinson), and that and her work supporting victims of spousal abuse and coercive control have meant that she has not gone on a date for a very long time. But today is different; her sister Jen (Violett Beane) is coming over to babysit, and tonight, she is going out on a date with what seems like a perfect gentleman who has been chatting to her for months and has not asked for a feet pic once. Her date, Henry Campbell (Brandon Sklenar), is taking her out to a fancy restaurant called Palate, with a view right over the Chicago cityscape. It could be a perfect date, right up until she starts getting obnoxious messages on her ‘Digi-Drops’ app. They are annoying, and she is about to turn the app off when it tells her to look at her home security cameras and do whatever they ask her to do, or her sister and son are dead.