War Machine – Movie Review

TL;DR – A solid military/sci-fi action romp.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service to view this film.

A military car driving with explosions behind it.

War Machine Review Introduction

Back in 2025, I didn’t get to see enough Australian films to put together a best of at the end of the year. As an Australian-based reviewer, that felt a little embarrassing, well, I am not going to let that happen in 2026, and today we start with our first entry with a military/sci-fi romp where many pine trees do not survive first contact.

So, to set the scene, we open with a convoy of Humvees leaving the protection of their home base in Kandahar, Afghanistan. They are off to provide support to another convoy broken down in a communications‑dead zone. Where a Staff Sergeant (Alan Ritchson) catches up with his younger brother (Jai Courtney) in the other convoy, it was all going well until an ambush takes them all out. Two years later, that same staff sergeant is in Colorado for Ranger training like he promised his brother. But here he has no name, just a number 81. Here it is time for eight weeks of the most gruelling training known, and this is his last chance before he ages out. But as they finish the end of their training with the famous ‘Death March’, the extra-solar asteroid RX-505-Polemas heading towards Earth makes its closest approach and starts breaking up for no reason.       

Continue reading

Delia’s Gone – Movie Review

TL;DR – It just felt like there was a big struggle to take this short story and adapt it to the big screen. The cast and location help, but they can only go so far.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

Rural setting.

Delia’s Gone Review

Today, we are looking at a film that is full of potential, but it doesn’t quite come together. Which I do feel bad about saying this because you can feel everyone trying to grab onto something here, but it just doesn’t quite work.

So to set the scene, Louis (Stephan James) lives with a brain trauma that presents as someone living on the autistic spectrum. He lives with his sister Delia (Genelle Williams) and has a set routine in his life, including going to bed at 9:30. One day, after getting black-out drunk after some bad news, he wakes to find the room trashed, Delia dead in his house, and blood on his hands. He had hurt Delia the day before and assumed that the drink had made him violent and pled guilty to manslaughter at trial. Seven years later, while living in a home, Louis gets a visit from his hometown, a man named Stacker Cole (Travis Fimmel), who might have been the last one to see Delia at The Roadhouse and lets him know what happened to Delia might not have been his fault.  

Continue reading