My Top 20 Films of 2024

So far, in our awards, we have looked at Action, Cinematography, Costumes, Emotion, Fun, Music, Tension, Worldbuilding, Best Animation, Best of Australia & New Zealand & Best TV of 2024

However, in this last entry into our Best of 2024 awards, we crown our Best Film of 2024.

All films are subjective, so our list might look completely different from yours. Of the 116 films we reviewed last year, 110 had their Australian Theatrical/Streaming Release in 2024. This is the list from which we draw our entries, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2023 for you but 2024 for us, and there may be some omissions here because we won’t get those films until later in 2025.

Highly CommendedThe Beekeeper, Beverly Hills Cop: Axel F, Deadpool & Wolverine, The Fall Guy, How to Make Gravy, Inside Out 2, The King of the Indies, The Kitchen, Rebel Ridge, The Rooster,  Transformers One, Turtles All the Way Down, Twisters & Wicked   

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Worldbuilding that Astounded Us in 2024

One of the benefits of film is that it is a visual medium, which means that it can do in a frame what it might take a book several pages of description to pull off. We see this the most in its ability to build worlds in front of our eyes.

These worlds could be great space operas exploring galaxies, a small period piece that looks back in time, or anything. But when every part of the film is used to tell a story, you know it is good.   

Our Highly Commended Films in 2024 are: Abigail,A Quiet Place: Day One, The Beekeeper, Deadpool & Wolverine, The Moogai, The Mountain, Saturday Night, Sonic the Hedgehog 3 & Wicked  
 Our Highly Commended TV in 2024 are: Agatha All Along, Black Doves, The Diplomat, Earth Abides, The Gentlemen, The Lord of the Rings: The Rings of Power, The Penguin, Percy Jackson and the Olympians, Shrinking, Star Trek: Prodigy, Star Wars: The Acolyte & X-Men ’97    

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Cinematography That Made You Go Wow in 2024!

Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

Our Highly Commended Films in 2024 are: A Quiet Place: Day One, The Beekeeper, Civil War, Deadpool & Wolverine, Hundreds of Beavers, Monkey Man, Rebel Ridge, Robot Dreams & Turtles All the Way Down

Our Highly Commended TV in 2024 are: Citadel Honey Bunny, The Diplomat, Dune Prophecy, Earth Abides, Fallout, The Lord of the Rings: The Rings of Power, Mr. & Mrs. Smith & Shrinking

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The Works of 2024 That Emotionally Wrecked Us

As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger. 

Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.

Our Highly Commended Films in 2024 are: A Quiet Place: Day One, The Beekeeper, How to Make Gravy, Robot Dreams, Thelma & Turtles All the Way Down

Our Highly Commended TV in 2024 are: Agatha All Along, Earth Abides, The Penguin, Shōgun & Star Trek: Prodigy

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The Holdovers – Movie Review

TL;DR – It was a wonderful, moving, sad, delightful, and wild ride, unlike anything I have seen before, and it has been sitting in the back of my mind since I watched it. 

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A failed exam paper.

The Holdovers Review

When you are watching a film, there are times when you have an experience where you become completely absorbed into the narrative. Taken back 50 years to a place you have never been before, to a place that you have no connection with, but you are taken there wholly. These cases are where the narrative, the direction, and the acting all come together for a perfect work. Today, we look at just such a film that focuses on three actors who give their all to the proceedings.

So to set the scene, it is coming to the end of the year in 1970 as we come to Barton Academy in New England. The term is coming to an end, and everyone is getting ready to go home to their families for Christmas, well, almost everyone. Every year, there is a handful of students who can’t make it back home for the break and stay over at the school, the titular holdovers. Paul Hunham (Paul Giamatti) teaches ancient civilizations and is hated by most of the students, does not want to be the one stuck with the holdovers but gets out manoeuvred by another staff member. Angus Tully (Dominic Sessa) wants to go home for the holidays, but his mother is spending it with her new husband, and Mary Lamb (Da’Vine Joy Randolph) lives on campus but is facing her first Christmas alone. They make an odd bunch as the snow comes in.     

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