Ashes (Kül) – Movie Review

TL;DR – A film that does a fantastic job of setting up a world and mystery that unfortunately can’t sustain itself all the way to the end.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

Warning – Some scenes may cause distress.

The manuscript Kül.

Ashes Review

Today, we dive back into the world of romance but with a side of danger as we explore Turkish cinema for the first time properly on the site. Romance films can be fascinating because they can meld and merge into so many different genres and take on a broad scope of tone. In today’s film, we dive into the harder edge of the genre, where danger awaits.

So to set the scene, from all appearances, Gökçe (Funda Eryigit) is living her best life. She is a successful publisher with a talent for picking good manuscripts, something that has made her husband Kenan (Mehmet Günsür) fabulously wealthy. But her life feels like it is missing something, missing a lot of things. But when a manuscript called Kül arrives, she is immediately transported into its prose. Being captured by its narrative, it awakens a joy that she had not realised was missing. But when she discovers the bakery in the book is real, and more of the book is real, she hunts down the mysterious man.

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Movie Review – Familiar Strangers

TL;DR – An interesting experimental film that hits that overlap between film and a technology demonstration    

Familiar Strangers. Image Credit: Murat Sayginer.

Review

I have seen quite a few films that you could call experimental in my time but today might take the cake as one of the more weird concepts that I have ever seen. Something that at first sight is deceptively simple but then it is clear a lot of work has gone into making it come together.

Familiar Strangers might be also one of the shortest films I have reviewed, clocking into only four minutes. However, that is just the right amount of time for you to process what you are seeing on the screen. Which is row upon row of actors faces apparently rendered using deepfake technology while Air on the G String by Johann Sebastian Bach plays in the background.

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Movie Review – The Flying Fish

TL;DR – An interesting experimental short film that unfortunately never graduates from allegory into something more.    

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Rocky Head in The Flying Fish. Image Credit: Murat Saygıner.

Review

Today we get to step back and look at something a little bit different with a film that is less a narrative exercise and more an experimental experience. This was a little bit of a new area for us so it was a nice change of pace and an interesting twenty minutes.  

The Flying Fish is a composition of a number of short films by artist/filmmaker Murat Saygıner assembled into one work of art. It is here where the strengths and weaknesses of the work come to the surface. Because it is a collection of many different works, there is always something new entering into the frame to switch things up. However, because there are many different works being combined together there is not a strong unifying force that makes it feel like this is one work.

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