It was a fantastic year for Australian Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level. This list will look more at the locally-made Australian productions/co-productions and not just films filmed in Australia.
So without further ado, these are the best Australian Cinema in 2022. Be warned that there will be significant spoilers for the films in question.
Animation is a form of filmmaking that is often related to second-tier status, something just for kids. This is by both the organisations giving out the awards and the guilds meant to promote their members’ work. However, they are not second-tier films; in many ways, animated films push the frontiers of filmmaking and what is possible, and they should be championed for their work.
Animated films can be hand-drawn, stop/clay motion, or computer-generated, it does not matter, but all of them show the unique techniques of hundreds of artists that bring the work to life.
So without further ado, these animated films showed us the glory of animation in 2022. Be warned that there may be slight spoilers for the movies in question. Also, click on the banners/titles to go to the full reviews of each of the films
The Nominees Are –
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A good action sequence is genuinely amazing to watch, as it can be as expansive as explosions crashing across the screen or more intimate, like a duel between two people. This gives the best action scenes such a range, and in 2022 we were given some unique spectacles.
For me, the best action scenes excel in every element, whether that be live actions, special effects, digital effects, or animation and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand, like stunt coordination or the 2nd unit.
2022 was also the year of action, so my usual hope to keep these entries down to 5 or 6 got thrown out the window.
So without further ado, these are the moments of action that awed us in 2022. Be warned that there may be slight spoilers for the films in question.
TL;DR – A powerful film of courage in the face of insurmountable odds.
Post-Credit Scene – There is a mid-credit scene
Disclosure – I paid to watch this film
It is now time for us to take a look at the final film before we finalise our best of 2022 lists. The Woman King was a film that I tried to see several times when it was in cinemas, but the times never lined up. Indeed, I could only add it to the run-down because it just dropped on-demand. But in a year of stellar action films, we have another understanding contender to add to the mix.
So to set the scene, in West Africa in 1823, a new king Ghezo (John Boyega), has just ascended to power in the Kingdom of Dahomey. But they are under attack from the Oyo Empire, who have been pillaging Dahomey villages using proxies to sell the people to the Europeans as slaves to work in the plantations of Brazil. Ghezo is on the losing side of this war, but he has one last strength: the Agojie, led by Nanisca (Viola Davis). It is a time of castigation as many forces move inside and outside the palace, and it is uncertain if Dahomey can survive the coming storm.
TL;DR – A odd yet sad film of life in a small village that escalates out of all control
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid to see this film.
Today I have a slightly frustrating film to review, and unfortunately for them, it is not their fault. I work out of Australia, and for some reason, this year, many of the big Oscar chances got released a lot later than the rest of the world. For example, today’s film was already out streaming in some places before it got its theatrical release here. I had avoided all spoilers for this film until yesterday when someone ruined a single plot point for me, and I think it ruined a big chunk of this film for me.
So to set the scene, it is 1923 on an island off the Irish coastline, where they are isolated from much of the world, bar the odd explosions from the Irish Civil War they can hear echoing across the water from the mainland. Pádraic Súilleabháin (Colin Farrell) spends his days working with his dairy cows and nights at the pub with his best friend, Colm Doherty (Brendan Gleeson). That is until one day, Colm stops talking to him. The town wonders if they have been rowing again, but Pádraic can’t remember them fighting, and his sister Siobhán Súilleabháin (Kerry Condon) is concerned that something has gone very wrong. But Colm insists, ‘I just don’t like you no more’, but that is not an answer for Pádraic.
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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