Awards – My Top 20 Films of 2022

So far, in our awards, we have looked at Action, Animation, Best of Australia, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2022 awards, we crown our Best Film winner of 2022.

All films are subjective, so our list might look completely different from yours. Of the 102 films we revied last year, 92 had their Theatrical/Streaming in 2022, which is the list we draw our entries from. You can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year. So we may have films here that were released in 2021 for you but 2022 for us, and there may be some omissions here because we won’t get those films until later in 2023.

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2022.

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Explosions, Guns, and Punches, Oh My. The Best Action of 2022

A good action sequence is genuinely amazing to watch, as it can be as expansive as explosions crashing across the screen or more intimate, like a duel between two people. This gives the best action scenes such a range, and in 2022 we were given some unique spectacles.

For me, the best action scenes excel in every element, whether that be live actions, special effects, digital effects, or animation and bring every facet to shine. It is also the category that looks at some of the department’s people don’t often fully understand, like stunt coordination or the 2nd unit.

2022 was also the year of action, so my usual hope to keep these entries down to 5 or 6 got thrown out the window.

So without further ado, these are the moments of action that awed us in 2022. Be warned that there may be slight spoilers for the films in question.

The Nominees Are –

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The Northman – Movie Review

TL;DR – The Northman is unrelenting, uncomfortable, unyielding, and uncompromising

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Bjork as a witch in a wheat headdress

The Northman Review

When I heard that Robert Eggers was making a new film, I was interested because his last work, The Lighthouse, well, it was ‘a lot’, but it was also fascinating from start to finish. Then I heard it would be a Norse epic tale of revenge and carnage. Well, I was intrigued. But when I heard that early reviews were calling it ‘impenetrably Norse’, I had to check it out because that is my jam.

So to set the scene, in 985AD, on the Atlantic coast, young Prince Amleth (Oscar Novak) looks out into the sea and sees that his father, King Aurvandill War-Raven (Ethan Hawke), has returned from his raids. With his Mother, Queen Gudrún (Nicole Kidman), he greets his father and discovers that he was wounded in the last battle. After Aurvandill’s brother Fjölnir (Claes Bang) arrives, Gudrún counsels her husband that Amleth needs to start the process of becoming a man. Aurvandill takes Amleth to the Heimir (Willem Dafoe), the fool and seer, to have a vision. But as they leave the temple, Aurvandill is ambushed and murdered, and as Amleth runs, he sees that the murderer is his uncle Fjölnir. Many years later, in the Lands of the Rus, Amleth (Alexander Skarsgård) is a berserker taking out villages when he is reminded of his duty to avenge his father’s murder.

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