Percy Jackson and the Olympians: I Go Down With the Ship [S2E7] – TV Review

TL;DR – We get to the pointy end of the season as characters clash together as the gods manipulate from the side-lines.

Rating: 3.5 out of 5.

Disclosure – I paid for the Disney+ service that viewed this series.

Post-Credit Scene – There is a mid-credit scene.

The tree guarding the camp.

Percy Jackson and the Olympians Review

We are getting to the final stretch of the season as we enter the penultimate episode, and it is time for all the storylines to start colliding together. It’s a precarious moment, we haven’t even upset a god yet, and time is already ticking on the finale.

So, to set the scene, it is a kind of good news/bad news situation. The good news is that they know where the Fleece is, and they have escaped the clutches of the Cyclops, oh, and Tyson (Daniel Diemer) is still alive. The bad news is that Clarisse (Dior Goodjohn) and Grover (Aryan Simhadri) had to watch Percy (Walker Scobell) give the Fleece to their enemy, Luke (Charlie Bushnell), and he also stole a wounded Annabeth (Leah Sava Jeffries) with him. Now the Golden Fleece is resting on the tomb of Kronos (Nick Boraine), and soon he will be resurrected from Tartarus to wreak havoc on the world. Now, from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.

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Hamnet – Movie Review

TL;DR – This film emotionally wrecked me. It’s raw to the bone and yet also one of the most cathartic works of cinema I have ever witnessed. Full of unbelievable pain and yet also moments of absolute joy. It exists as both a stunningly beautiful work of art and a profoundly haunting treatise on trauma.

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

The Globe Theatre.

Hamnet Review Introduction

Okay … phew … deep breath … I can do this. In my time, I have watched a lot of films that have made me emotional in the cinema. Indeed, including at least one time when I ugly cried so much the old lady sitting next to me asked if I was okay, oh, and that time when Pixar made us think they were going to kill all the toys in the furnace, I have still not forgiven you for that, Pixar. However, I have never experienced emotions quite the same way as I sat down to watch Hamnet, a film steeped in both beauty and trauma.  

So, to set the scene, we are in a small town in Elizabethan England, where, while tutoring some boys in Latin, a young William (Paul Mescal) sees an enigma walk out of the forest. Agnes (Jessie Buckley) is nothing like any of the other women he has met, understanding the ways of bees, knowing the curative power of herbs, and being the master of birds of prey. It is the combination of traits that makes the town whisper unseemly things behind your back. But when an expedited wedding is needed, a new complicated family is born. But life can be hard in this era, and you never know when it will sneak up on you, no matter how well you prepare.

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