Post-Credit Scene – There is no post-credit scene, but like a lot of work went into the credits, and there are some snippets of stuff here and there.
Disclosure – I paid for the Netflix subscription that viewed this movie info here
The Mitchells vs. The Machines Review –
For the longest time, Sony Animation was this studio that shows immense potential, but they always seemed to be chasing trends, which never led them to make anything that stood out. The Cloudy with a Chance of Meatballs showed they had potential, but then Spider-Man: Into the Spider-Verse came out of nowhere and exploded onto the screen. Now, Sony Animation was setting the trends, and it made me wonder where can they go next. Well, today, we get to see that with the charmingly odd The Mitchells vs. The Machines.
So to set the scene, the Mitchells are your standard quirky/dysfunctional family heading towards their first major crisis. As time has gone on, father Rick (Danny McBride) and daughter Katie (Abbi Jacobson) have become equally frustrated with each other, and no amount of work from mum Linda (Maya Rudolph) and brother Aaron (Mike Rianda) can fix this divide. However, Katie is about to go across the country to college, and if she leaves while the relationship is still broken, well, that could be irreparable damage. Well then, the family decides to make one last-ditch effort to fix the unfixable by going on a long road trip to drop Katie off at college, on the same week that techbro Mark Browman (Eric Andre) of PAL Labs inadvertently starts a robot invasion after upsetting his AI PAL (Olivia Colman).
TL;DR – What we get is a series with some interesting moments and characters, but feels more of a prologue to something than a season in its own right
Score – 3.5 out of 5 stars
When you think over the parody genre, it is surprising that there are not more quality entries into it. Part of this is because many take the easy way out and just fill their shows with pop-culture references that instantly date them. To really do a parody justice you really have to understand the genre and works you are parodying to an almost obsessive level. These are your Galaxy Quests, and your 22 Jump Streets. Today we take a look at a new series working in this territory Disenchantment which delves into the myriads of tropes around the Fantasy genre, and mostly succeeds. Now we will be looking at the season as a whole, so there will be [SPOILERS] ahead.
TL;DR – An interesting start that gives us a real direction as to the tone and where the series is going.
Score – 4 out of 5 stars
I was coming into Disenchantment with a bit of a mixed mind as I have an interesting relationship with Matt Groening’s work. When I was growing up we were not allowed to watch The Simpsons so when you did see it at a friend’s place it was this little rebellion, so I hold some of those early episodes to be quite dear to me. However, I can’t tell you the last episode I watched, at this point, I could be over seven seasons behind. On the flip side, while all this was happening Futurama came and went, and then came again and then went again, and I would count it in the top ten TV Shows I have ever seen. So where would Disenchantment fall? Well from the first episode we can see that it is at least going to be interesting.