Tag Archives: Bowen Yang

Wicked: For Good (Wicked: Part Two) – Movie Review

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TL;DR – While Cynthia Erivo & Ariana Grande still shine, the choice to split the film into two parts has had a detrimental effect on the pacing, narrative, and structure of the film.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

A propaganda poster of the Wicked Witch.

Wicked: For Good Review Introduction –

If I look back on the last twelve months, there may have been one film, outside of Chicken Jocky, that captured the imagination of people in the cinemas. It felt like everyone was holding space for Wicked, as it dominated the box office and broader pop culture. Thanks mainly to it being anchored by two of the best lead actors in the business for a musical film like this: Cynthia Erivo & Ariana Grande. But here’s the thing, and it’s a big one. The choice to end the first film at the traditional intermission moment meant that everything that the general public understood of Wicked was all in that first film, and thus, I was worried about how Part Two would go. I think I was right to be concerned.  

So, to set the scene, at the end of Wicked, Elphaba (Cynthia Erivo) discovered that the Wonderful Wizard of Oz (Jeff Goldblum) is nothing but a fraud. Oz and his accomplice Madame Morrible (Michelle Yeoh) needed Elphaba’s natural magical abilities, but not if she was a threat. So Elphaba escaped their clutches, but has now been branded the “Wicked Witch of the East” in a propaganda campaign that stretches across the lands. Everyone now has to live with the consequences of their actions. Glinda (Ariana Grande) always wanted to be in the spotlight, but is she willing to do what it takes to stay there when it means betraying her friends? And will Fiyero (Jonathan Bailey) discover his strength before it is too late?   

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Wicked (Wicked: Part 1) – Movie Review

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TL;DR – One of the most faithful musical adaptations that I have ever seen, but that brings all the musical’s strengths and weaknesses.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The Emerald City.

Wicked Review –

Today, we are looking at what might be the most convoluted production history in this site’s history. We are reviewing a Movie [Wicked] adaptation of a Musical [Wicked], which is an adaptation of a Novel [Wicked: The Life and Times of the Wicked Witch of the West], which is a reinterpretation of another Novel [The Wonderful Wizard of Oz], which in itself is most well known for its Movie Adaptation [The Wizard of Oz] whose design legacy can be seen our feature today. There have even been several more attempts to work in this space in recent years, with Oz the Great and Powerful and even Agatha All Along earlier this year. It could be a crowded or iconic market position, but does it make the most of its situation? That is what we will look at today.

So, to set the scene, Elphaba Thropp (Cynthia Erivo) has not had an easy life ever since she came into this world covered in a dark shade of green. She was thought of as some kind of curse by her own family and lived almost in isolation with Midwife (Sharon D. Clarke), her bear nurse. Growing up, she always had these moments where she acted out with magic, but she could never control the bursts. But her life is changed when one of those magical bursts happens as she is escorting her sister Nessarose (Marissa Bode) to Shiz University, and she is spotted by Madame Morrible (Michelle Yeoh) expert in all things magic. The only problem is that there are no rooms for her at the university unless Galinda Upland (Ariana Grande-Butera) shares her private suite.  

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The Monkey King – Movie Review

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TL;DR – While not all of this story works, it is like lighting striking when it does.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service that viewed this film.

The Monkey King poses in front of a setting sun.

The Monkey King Review –

Of the great works of human canon, few contenders have had the impact of the Journey to the West. It has had adaptions across every form of media and multiple interpretations worldwide. My first experience with it was watching Monkey Magic on SBS in the afternoon as a kid, so I enjoy seeing when they can reinterpret the story in new ways.


So to set the scene, the world was in balance for generations under the watchful eye of Budda (BD Wong) and the immortals under the leadership of the Jade Emperor (Hoon Lee). That is, until one day, a monkey is born from a rock that can shine light from his eyes. This is a world full of rules and order, but The Monkey King (Jimmy O. Yang) does not follow the rules. He is an entity of chaos, of recklessness, such as stealing the Grand Column from the Dragon King (Bowen Yang) and ignoring the advice of the elder Monkey (James Sie). He wants to be an immortal, so how do you do that? Well, you defeat 100 demons. Cue the montage scene. But on demon 100, things don’t go to plan.

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Bros – Movie Review

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TL;DR – While incredibly funny at times, it loses its momentum under the weight of the narrative.    

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Bobby Lieber records the podcast.

Bros Review –

If there is one genre that has almost standardised its narrative, it is the Romantic Comedy. For better or worse, when you go into one of these films, especially the plethora of made-for-tv films that come out during the holidays, you can probably chart the course of the movie in the first five minutes. The business lady will discover she wants a family too. The widower will find love in the most unlikely [i.e. very likely] place. Old lovers, now foes, will become lovers again. This is not necessarily bad. You can still do great things with a tried-and-true formula, but I am always looking for a film that could break through those models, and we might have just such a film today.    

So to set the scene, Bobby Lieber (Billy Eichner) is a podcast host of The Eleventh Brick at Stonewall and has been chosen to be the curator of a new National LGBTQ+ History Museum in Manhattan. It is his dream job, and his complete focus, which, given he is incredibly single, works well for him. He prides himself on his independence, even if that means some awkward hook-ups along the way. However, one night at a nightclub, he connects with Aaron (Luke Macfarlane), who ghosts him, un-ghosts him, and then ghosts him again. It is perplexing, but for some reason, it makes Bobby more interested in discovering just what his deal is.

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