My Top 20 Films of 2025

So far, in our awards, we have looked at Action, Cinematography, Costumes, Emotion, Fun, Music, Tension, Worldbuilding, Best Animation, & Best TV of 2025

However, in this last entry into our Best of 2025 awards, we crown our Best Film of 2025.

All films are subjective, so our list might look completely different from yours. We reviewed 107 films that had their Australian Theatrical/Streaming Release in 2025. This is the list from which we draw our entries, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2024 for you but 2025 for us, and there may be some omissions here because we won’t get those films until later in 2026.

Highly Commended

A Complete Unknown, The Accountant 2, The Brutalist, Dog Man, Drop, Elio, F1, Heads of State, How to Train Your Dragon, Kangaroo, Karate Kid: Legends, KPop Demon Hunters, The Long Walk, The Lost Bus, Primitive War, Regretting You, Roofman, The Running Man & Zootopia 2

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Cinematography That Made You Go Wow in 2025!

Cinematography is an art form that can be as bold as a gong crashing after a moment of silence or as subtle as the tide coming in. It elevates a film to the heights of accolades or becomes frustrating when it misfires.

While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.

Our Highly Commended Films in 2025 are: The Brutalist, Frankenstein, KPop Demon Hunters, Nosferatu, The Phoenician Scheme, Warfare & Weapons

Our Highly Commended TV in 2025 are: Andor, The Diplomat, Peacemaker & PLUR1BUS

So, without further ado, these moments of cinematography took our breaths away in 2025. Be warned that there may be some slight spoilers ahead.

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The Costumes of 2025 That Made Us Say ‘Hot Damn’

You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music and create elaborate sets, but one of the many ways, and often the first way, is through the costumes you make.

People instantly judge a character within moments on the screen, and the outfits are essential to that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world? What do they say about how a character is progressing? 

Costumes can build worlds and tell us details we can only see, but also, they can make us say, ‘Hot Damn’, look at that beading on that dress. That must have taken hours to do!

Our Highly Commended Films in 2025 are: Downton Abbey: The Grand Finale, KPop Demon Hunters, Nosferatu, Wake Up Dead Man & Wicked: For Good

Our Highly Commended TV in 2025 are: The Diplomat, Foundation, The Residence, Star Trek: Strange New Worlds & Star Wars: Skeleton Crew

So, without further ado, these costumes made us say ‘hot damn’ in 2025. Be warned that there may be slight spoilers ahead.

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Conclave – Movie Review

TL;DR – An exquisitely acted and produced film that takes you into a world rarely seen with the weight of a drama but with all the fascination of a political intrigue.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Red Cardinals against white marble columns.

Conclave Review

It is tough to see honest explorations of faith and religion in modern cinema. When films exploring faith come out of Hollywood, they usually feel like hollow vessels divorced from reality. But then you watch movies that come out of the faith-based industry, and more often than not, you are watching trumped-up emotional blackmail hiding under the frame of faith. So, call me surprised when I sat down to watch Conclave and discovered something different.   

So, to set the scene, the Pope is dead, long live the Pope. If there is ever an organisation that has embraced the pomp and circumstance, it is the Catholic Church, and this happens in death just as much or even more than life. Cardinal Thomas Lawrence (Ralph Fiennes), who is Dean of the College of Cardinals, has to convene a conclave to pick the next Pope even though he feels unworthy of the task. However, as cardinals fly in from across the globe, it is clear that there is tension regarding how the Church will move forward. Will it embrace tradition or modernity? Or maybe somewhere in between.

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