The Gentlemen: The Road To Kingdom [S2E1] – TV Review

TL;DR – A delightfully terse and messy return to a fascinating series.

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that I used to view this series.

The Price to buy a Cash-strapped Lord.

The Gentlemen Review

Back in 2024, when I heard that they were going to make a spiritual homage to the movie The Gentlemen on a vibes level while keeping the title, I was a touch concerned. I shouldn’t have been, because Guy Ritchie’s works tend to be interesting if nothing else. The first season was full of style, but a bit uneven; it was absolutely enough to make me want to see where they go in a second outing.

So, to set the scene, we open with Edward “Eddie” Horniman, the 13th Duke of Halstead (Theo James), having a very, very, very bad day. Three months earlier, things are looking a lot better for the Duke, as he starts his manipulations for Susie’s (Kaya Scodelario) father, Bobby (Ray Winstone). All he has to do is grease Lord Richard Hawthorne (Hugh Bonneville) to get a peerage in the House of Lords, and keep his new Italian fixer Cico (Michele Morrone) in line. What is the worst that could happen? Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.  

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Conclave – Movie Review

TL;DR – An exquisitely acted and produced film that takes you into a world rarely seen with the weight of a drama but with all the fascination of a political intrigue.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

Red Cardinals against white marble columns.

Conclave Review

It is tough to see honest explorations of faith and religion in modern cinema. When films exploring faith come out of Hollywood, they usually feel like hollow vessels divorced from reality. But then you watch movies that come out of the faith-based industry, and more often than not, you are watching trumped-up emotional blackmail hiding under the frame of faith. So, call me surprised when I sat down to watch Conclave and discovered something different.   

So, to set the scene, the Pope is dead, long live the Pope. If there is ever an organisation that has embraced the pomp and circumstance, it is the Catholic Church, and this happens in death just as much or even more than life. Cardinal Thomas Lawrence (Ralph Fiennes), who is Dean of the College of Cardinals, has to convene a conclave to pick the next Pope even though he feels unworthy of the task. However, as cardinals fly in from across the globe, it is clear that there is tension regarding how the Church will move forward. Will it embrace tradition or modernity? Or maybe somewhere in between.

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