Furiosa: A Mad Max Saga – Movie Review

TL;DR – It is a film that roars to life and explodes on to the screen, captivating you with every turn.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a mid-credit sequence.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

Furiosa stands alone in the desert.

Furiosa: A Mad Max Saga Review

Well, this was always going to be an interesting film for me. The last entry in the Mad Max Saga, as we are now calling it, Fury Road, blasted onto the world and had a profound effect on me. It is one of those rare films that I have watched over and over again, and each time, I found a new detail I had missed before. It is in my Top 10 Films of All Time list for a reason. This means that there was some trepidation when I walked into the theatre wondering how a prequel to that film could stand up, but the second my seat reverberated with a motorcycle roar, I knew that I was in for something exciting.

So, to set the scene, a young Furiosa (Alyla Browne) is living in the green land of many mothers when she comes across three bikers who have discovered their hidden sanctuary. Being captured, her mother (Charlee Fraser) chases Furiosa across the desert till they make it to the roving camp of Praetorian Jack (Chris Hemsworth). He sees her value as the one person who knows where the place of abundance is and brings her into his collection, which is where she first meets the leader of the Citadel, Immortan Joe (Lachy Hulme).

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Three Thousand Years of Longing (3000 Years of Longing) – Movie Review

TL;DR – While it might meander to the end, it shines when it delves into stories and vignettes of the past.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid to see this film.

Three Thousand Years of Longing the book.

Three Thousand Years of Longing Review

Few films have ever captured my soul quite like Mad Max Fury Road, a movie that changed and shaped my engagement with cinema. It made such an impact that when I heard that the team behind the film, including director George Miller, were back for another ride. Well, I had to check that out on the opening day.

So to set the scene, once upon a time when humans flew through the skies on metal wings while pulling stories out of the air on their glass pads. A Narratologist called Alithea Binnie (Tilda Swinton) is making her annual trip from her gloomy home in England to a more exotic land in Istanbul to attend a conference of peers. But when she arrives, she starts to see things that are not quite right. Ignoring them as artifacts of her over-active imagination, she spends some time in Istanbul’s Grand Bazar, and she picks the one junk pile, in one of the rooms, in one of the thousands of shops and finds a glass jar whose life told a story. But she got more than what she wished for when in her hotel room, she decided to clean the jar up and inside was a powerful Djinn (Idris Elba) who gave her three wishes.   

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