The Northman – Movie Review

TL;DR – The Northman is unrelenting, uncomfortable, unyielding, and uncompromising

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film

Bjork as a witch in a wheat headdress

The Northman Review

When I heard that Robert Eggers was making a new film, I was interested because his last work, The Lighthouse, well, it was ‘a lot’, but it was also fascinating from start to finish. Then I heard it would be a Norse epic tale of revenge and carnage. Well, I was intrigued. But when I heard that early reviews were calling it ‘impenetrably Norse’, I had to check it out because that is my jam.

So to set the scene, in 985AD, on the Atlantic coast, young Prince Amleth (Oscar Novak) looks out into the sea and sees that his father, King Aurvandill War-Raven (Ethan Hawke), has returned from his raids. With his Mother, Queen Gudrún (Nicole Kidman), he greets his father and discovers that he was wounded in the last battle. After Aurvandill’s brother Fjölnir (Claes Bang) arrives, Gudrún counsels her husband that Amleth needs to start the process of becoming a man. Aurvandill takes Amleth to the Heimir (Willem Dafoe), the fool and seer, to have a vision. But as they leave the temple, Aurvandill is ambushed and murdered, and as Amleth runs, he sees that the murderer is his uncle Fjölnir. Many years later, in the Lands of the Rus, Amleth (Alexander Skarsgård) is a berserker taking out villages when he is reminded of his duty to avenge his father’s murder.

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Last Night in Soho – Movie Review

TL;DR – Well Last Night In Soho is a film that threatens to go off the rails at any moment yet somehow manages to hold on just by its fingertips   

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene, but there are images during the credits

Disclosure – I was invited to a press screening of this film

Warning – This film depicts scenes of abuse

Warning – This film features sequences with flashing lights

Last Night in Soho. Image Credit: Universal Pictures.

Last Night in Soho Review

Some directors out there have built up such a strong reputation that you know you will be checking out their next film no matter the genre/tone/story. For me, one of those directors is Edgar Wright, who has never once bored me with one of his films. Indeed, we have already gotten his take on a talking-heads documentary this year with The Sparks Brothers, and I was not going to turn down the chance to see two new films from him in the one year. I will say that this is a film that is best seen with as little information as possible, so if you are intrigued, you may want to stop reading here.

So to set the scene, Eloise “Ellie” Turner (Thomasin McKenzie) lives in rural Cornwell but has always dreamed of being a major fashion designer in London. She is obsessed with the style of the 1960s and capturing that time in her work. It was good news for Ellie when she got accepted into the London College of Fashion; thus, she made the long trip into the big city. After some interesting interactions with her roommate Jocasta (Synnøve Karlsen), Ellie moves into a bed/sit in Goodge Place being rented out by Ms Collins (Diana Rigg). This old lady had owned the property for decades. It is perfect for Ellie, but as she sleeps, she visits an apparition from the past, Sandie (Anya Taylor-Joy), a singer and dancer in 1960s London. 

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Emma – Movie Review

TL;DR – Charmingly silly, yet deeply compelling    

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated: Beautiful Cinematography, Stunning Costumes, Most Fun, Exquisite Musical Score & Fascinating Worldbuilding

Emma. Image Credit: Universal.

Emma Review

It has been said of me lately that I have been rather a bit dismissive of the old works of writers like Jane Austen. Well, in my attempt to catch up on some of the films I missed in 2020, I thought it would be the perfect time to remedy this, a little.

In England’s Regency-era, a local matchmaker has made her latest match in the rural countryside village of Highbury. Emma Woodhouse (Anya Taylor-Joy) has set up her governess Miss Taylor (Gemma Whelan) and local widower Mr Weston (Rupert Graves). She loves the game, and her latest intrigue is Harriet Smith (Mia Goth) who brings her into a confrontation with George Knightley (Johnny Flynn), a friend and yet sometimes rival.

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The New Mutants – Movie Review

TL;DR – A perfectly okay film but a bit of a missed opportunity.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

The New Mutants. Image Credit: 20th Century Studios.

Review

After thirteen films, and running for twenty years, the current X-Men franchise has drawn to a close. Today we review the last movie in the series The New Mutants, though it was never planned or designed to be a swan song it is what it has become. Well, let’s dive into a film that swerves into the horror of what it would be like to wake up one day with powers.

So to set the scene, we open in on a reservation in America when Danielle “Dani” Moonstar (Blu Hunt) is woken up by her father William (Adam Beach) and told to run. All around them, some outside force is destroying the reservation with snow and flames everywhere. William asks Dani to hide in a tree and goes back to help only to be killed, Dani runs form the oncoming storm and crashes down the side of the hill, hitting her head. When she wakes up, she is handcuffed to a medical gurney in what looks like an old hospital. Over the speaker Dr Cecilia Reyes (Alice Braga) askes her to calm down and lets her know she is safe, but that she was the only survivor of her reservation, everyone she knows is dead.  

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