Avatar: Fire and Ash – Movie Review

TL;DR Avatar is pomp and circumstance like no one else in the business is doing at the moment, except maybe the other Avatar films, which are doing the same thing very much.

Rating: 3.5 out of 5.

Disclosure – I paid to see this film.

Warning – Contains scenes that may cause distress.

The Wind Traders.

Avatar: Fire and Ash Review Introduction

Truly, there is nothing out there at the moment with the ambition and multi-coloured excellence like Avatar. Just three hours of non-stop visual excellence for your eyeballs with a sheer tenacity that we don’t see come out of Hollywood much anymore. But, this is the third outing in the series, and the question is: can it keep feeling fresh coming back to the same world again and again? Before we jump in, I do want to make clear that for this review, we watched the standard presentation, so no 3D, 4DX or other extras other than the meal I ordered halfway through because I splurged on the nice seats. So, we won’t be able to comment on whether the 3D, etc., is worth the ticket price.

So, to set the scene, everyone is still reeling from the end of Avatar: The Way of Water, where to save his family, Jake Sully (Sam Worthington) and Neytiri’s (Zoe Saldaña) son Neteyam (Jamie Flatters) sacrificed himself to save his family, and Spider (Jack Champion) no less. Everyone is grieving in their own way, and most of those ways are not very helpful. However, after some battery mix-ups show how vulnerable Spider is out here in the wilds. The parents decide it’s time to send Spider back to the researchers, where he will be closer to humans and safer. It is a long trip back, full of dangers, but not just from humans/sky people. For within the Navi, there are the Mangkwan clan led by Varang (Oona Chaplin), who are raiding and killing all those they come across.

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The Convert – Movie Review

TL;DR – A very compelling narrative of finding oneself far away from home.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

The New Zealand coastline.

The Convert Review

There was a whole wave of unintended consequences when the British gallivanted around the world, sticking their flag on any spot of land that they could. You know, other than the conquest, murder, and resource exploitation, that is. In what is now New Zealand, one of these was the Musket Wars, where tribal structures across the islands were ripped apart. Today’s film jumps into the heart of this and the world it is creating.  

So, to set the scene, it is 1830, and Thomas Munro (Guy Pearce) is on a dangerous journey across the Tasman Sea to his new home on the Islands of New Zealand in the town of Epworth. He has been hired as the new lay preacher, but before he reaches there, he saves the life of Rangimai (Tioreore Ngatai-Melbourne) as the rest of her town is slaughtered by the warlord Akatarewa (Lawrence Makoare). Even when in Epworth, danger lurks, and not just from the “savages” in the bush.

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