Tag Archives: New Zealand Cinema

The Best Australian and New Zealand Cinema in 2023

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This year, with the slight shift in how we format the awards, we added in a touch more flexibility. While that is mainly in the backend, I did want to take the opportunity to expand one of the awards we covered during this period.

It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended in 2023 are Bring Him to Me, The Portable Door & True Spirit
Our Best Australian/New Zealand TV in 2023 are The Artful Dodger, Aunty Donna’s Coffee Café, Deadloch, & NCIS: Sydney



So, without further ado, these are the best of Australian and New Zealand Cinema in 2023. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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Red, White & Brass – Movie Review

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TL;DR – A film that brings you joy from the moment they start in a house covered in Tongan flags till those final credits roll.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

The band performs.

Red, White & Brass Review –

There are many emotions that cinema can bring forth, and if I am honest, my favourite is joy. You are just sitting there beaming with a smile stretching from one side of your face to the other. It is so easy for films to come off as disingenuous that it is hard to nail joy in its purest form. However, today, we look at a movie that not only nails it, it revels in it.

So to set the scene, it is Wellington, and the 2011 Rugby World Cup is descending on New Zealand. Flags are popping up all across the city as everyone gets into the celebratory mode. But Veni (Dimitrius Schuster-Koloamatangi) was not quite prepared to find his house covered, and I mean covered, in the red/white cross of Tonga’s flag. His best friend Maka (John-Paul Foliaki) has been trying to get enough money so all of his church can see the Tonga v France match live. However, when several of his schemes fall through, he discovers a way forward, but it just means getting everyone to become a proficient brass band, oh and only in a couple of weeks.

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Mighty Morphin Power Rangers: Once & Always – Movie Review

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TL;DR – Well, this film shows that nostalgia is limited, even when wearing rose-tinted glasses.  

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix service that viewed this film.

Running from an explosion.

Mighty Morphin Power Rangers: Once & Always Review –

I was at the perfect age when the Mighty Morphin Power Rangers was first released. I watched through the first couple of seasons before losing interest sometime after the movie. It was enough to get to come back and watch the film reboot a couple of years ago, and I think I may have been the only one who liked it. Well, when they announced that there would be a 30th-anniversary movie bringing the old cast back together, I was happy to hear it. A little less so now that I have watched it.  

So to set the scene, back in 1993, the great sorcerer Rita Repulsa (Barbara Goodson) escaped. It was only through the powers of the Mighty Morphin Power Rangers, chosen by Zordon, were they were able to defeat her. 30 years later, Rita has returned as Robo Rita and strikes down the Yellow Ranger as Zach (Walter Emanuel Jones) and Billy (David Yost) look on in horror. A year later, Zach is trying to help raise Minh (Charlie Kersh) when Rita returns, and this time, she wants to take out all the Rangers.  

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Shadow In The Cloud – Movie Review

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TL;DR – Conceptionally, this is an interesting film, but I am not sure it makes the leap from concept to the final film.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime service that viewed this movie.

Shadow In The Cloud. Image Credit: Roadshow Films.

Shadow In The Cloud Review –

Well, today, we look at a film that is clearly swinging for the fences in what it wants to do. It’s a wild ride, like anything experimental, but like some experiments, it doesn’t quite work in places.  

So to set the scene, we open in World War 2 with a short cartoon reminding everyone that there is no such thing as gremlins, and only airmen can stop disasters in the sky. At an Allied Airbase in Auckland, a B-17 bomber called The Fool’s Errand is waiting to take transistors to Apia, Samoa. However, just before they take off, Flying Officer Maude Garrett (Chloë Grace Moretz) arrives with a broken arm, a mysterious package, and secrecy orders. The crew is quite miffed about the change of plans, but they relent, and the plane takes off, with Maude in the Sperry Ball turret on the bottom of the aircraft. Her goal is working until they see some Japanese planes and a creature crawling on the wing.  

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Baby Done – Movie Review

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TL;DR –  One of the funniest films I have seen in a while that also has a real heart to it.

Rating: 4.5 out of 5.

Post-Credit Scene – There is a post-credit scene

Awards –

Nominated: Most Fun.
Winner: Most Fun.

Baby Done. image Credit Piki Films.

Baby Done Review –

I’ve not been able to get to cinemas for a while due to a large work commitment over the last two months. So I have not been able to catch many of the new releases as I would have liked. However, I have finally gotten a chance to get back into the movies, and wow, what a film to come back to.

So to set the scene, Zoe (Rose Matafeo) and Tim (Matthew Lewis) are a couple who work together as arborists. Zoe spends most of her days climbing trees and she is good at it, as in she qualified for internationals for climbing trees. They are the last of their group of friends to have a baby, which is fine for them because they have a lot of work and internationals to look forward to … which of course means that it is the perfect time for Zoe to discover that she is expecting.

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Lowdown Dirty Criminals – Movie Review

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TL;DR – A film of two halves, some interesting characters in a story that fails to deliver

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Lowdown Dirty Criminals. Image Credit: Monster Films.

Review –

Today we are looking at a film of two halves, which makes it a difficult movie to review. This is because there are aspects where the film shines, and then there are moments where it all falls apart. These two halves create a disconnect that you can’t help but see throughout the entire runtime.

So to set the scene, we open in on Freddy (James Rolleston) and Marvin (Samuel Austin) in a room that is about to explode in gunfire. We then jump back a night where we see Freddy and Marvin in a car as they completely botch up robbing an ATM, severely damaging their boss’ car. From here they are up a certain creek without a paddle. Their boss Spiggs (Scott Wills) gives them one opportunity, they have to kill the guy sleeping with his wife, and it all goes wrong from here.

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Movie Review – The Legend of Baron To’a

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TL;DR – A bonkers fun film from first till last    

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Awards:

Nominated – Explosive Action

The Legend of Baron To'a. Image Credit: Madman.

Review –

Do you know what I needed this week? I needed a bit of fun, you know what I think a lot of people need this week, a little fun, well, have I got news for you. It has been great over the last couple of years to see Pasifika Cinema go from strength to strength and today we get to look at another entry into the great canon.

So to set the scene, we open in on the great Baron To’a (John Tui) himself as he does a tour of his home and local cul–de–sac Kinlock Ave. He is the heart of the local community and he is most proud of his son Fritz (Lotima Pome’e). However, it cannot last and twenty years later when Fritz (Uli Latukefu) returns to help sell his house after his uncle Otto (Nathaniel Lees) stops returning his calls he finds that the sac is a very different place than what he remembered.   

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Movie Review – Guns Akimbo

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TL;DR – There is a kernel of a good idea here, and there are parts of it where you can see how it could have made a really good film, just maybe not the one we got    

Score – 2.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Guns Akimbo. Image Credit: Madman

Review –

When you here that the premise of a film is that someone has bolted guns to Daniel Radcliffe’s hands and let him loose in the world. Well, that congers up a lot of images and expectations, indeed Daniel has been bouncing from one delightfully odd film to the next since his time in/as Harry Potter. At the very least, it is the kind of set up when you know before walking in that it is either going to be amazing or a dumpster fire but not in-between. Well trust me, I am just as surprised as you that I got it very wrong.   

So to set the scene, Miles (Daniel Radcliffe) is your usual loner who lives a less than great life as a code monkey for a soul-sucking corporation. But at night, he finally comes alive as he trolls, well other trolls. One night, however, things take a turn as he discovers ‘Skizm’, which is kind of like Twitch but with murder, indeed we are introduced to the program with Nix (Samara Weaving) annihilating another contestant because two people start and only one comes out alive. Well, Miles starts trolling the chat and eventually gets noticed by the admin Riktor (Ned Dennehy) who smashes down his door, knocks him out, and performs a little surgery. Miles wakes up with a splitting headache … oh and two guns bolted to his hands.

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Movie Review – Take Home Pay

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TL;DR – A look at what happens when the competing interests of money and family collide

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Take Home Pay. Image Credit: M2S1 Films.

Review –

Today we get to dive back into the world of Pasifika Cinema as we explore a film that takes on themes like tradition v modernity, brother v brother, money v family, and honour v fun. However, all of this is tempered by a comedic style that is unique to this part of the world and a heart that just shines.

So to set the scene, Popo (Ronnie Taulafo) and Alama (Vito Vito) are brothers living in rural Samoa working for their father planting, harvesting, and selling taro. Alama dreams of ways to make things easier for his family, even if it does not always go right, and Popo just dreams of getting out of the country. Well that opportunity arrives when they need labourers in New Zealand and both Alama and Popo get the chance to earn some more money for home. They spend their days picking kiwifruit and all is going well until the day they have to leave and Popo runs off, with both his and all of Alama’s money.

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