The History of Sound – Movie Review

TL;DR – It is both profoundly moving and also downright frustrating. The visual construction was some of the best all year, yet it pondered along, afraid to commit to what its thesis statement was.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes that may cause distress.

A river flowing in a forest.

The History of Sound Review Introduction

Today, we are looking at a film that existed in a state of dissonance for me, from the heights of beauty that you see throughout, to the despair of frustration. Some of this dissonance is purposely built into the film, an intentional conversation in subtext. However, while that is important, you can’t forget the actual text.
 
So, to set the scene, Lionel Worthing (Paul Mescal) has always had a special relationship with music since he was a child, able to feel it, see it, and manipulate it. It was this gift that took him in 1917 from the rural farm in Kentucky where he grew up to the Boston Conservatory to study music. It is here that he came across fellow student and composer, David White (Josh O’Connor). They had an instant bond, but war broke out, and David was drafted. David returned in 1919 and asked Lionel to join him on a trip collecting and recording folk songs, a trip that would have a marked impact on both their lives.

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Anyone But You – Movie Review

TL;DR – This is a film that is based entirely on the chemistry of the two leading cast members. Thank goodness they have some.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Sydney.

Anyone But You Review

There is a considerable risk when you base the entire foundation of your film on the charisma of your two leads. There are multiple examples, like Valerian and the City of a Thousand Planets, where that mistake has caused the film to fall flat on its face. It is a dangerous proposition … but what happens when you get it right?

So to set the scene, it is a typical day in a coffee shop when Bea (Sydney Sweeney) runs into Ben (Glen Powell) while trying to get the key to the bathroom. Some shenanigans occur but sparks fly, and soon they are spending the night together. But the following day contrives a situation where both parties think the other was in the wrong, and they part ways with an odd story of a creep to tell their respective friend groups. Until we discover that those respective friend groups are the same because Bea’s sister Claudia (Alexandra Shipp) is the new finance of Halle (Hadley Robinson), whose brother Pete (GaTa) is best friends with Ben. That animosity gets heightened when both of them end up on a plane to Sydney, Australia, to attend the wedding, only to find both of their exes are there. So they fake being in a relationship. What is the worst that could happen?

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The Boys in the Boat – Movie Review

TL;DR – A perfectly okay film that refuses to integrate any of the themes it proports to be exploring.

Rating: 2.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

The boys lined up with their oars.

The Boys in the Boat Review

Today, we look at an interesting biographical film because, at its core, it is more interesting for what it does not do than what it is that we see in the final product. This creates a film that, by all metrics, is perfectly okay from a technical perspective, but the moment you integrate any of the narrative, you find it to have the solidity of balsa wood.  

So to set the scene, it is 1936 in Washington state, at the height of the Great Depression. Joe Rantz (Callum Turner) has spent most of his life sleeping rough but still managed to get into the University of Washington. But when financing becomes tight, he decides to take up an opportunity with the University rowing team because it comes with a room and a small financial compensation. The Washington University rowing team has not won a race in a long time, and coach Al Ulbrickson (Joel Edgerton) is starting to feel the pressure from above to place or get replaced. But could this new batch of rowers be the best crew he ever taught? And in an Olympic year, no less?

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