War Machine – Movie Review

TL;DR – A solid military/sci-fi action romp.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Netflix service to view this film.

A military car driving with explosions behind it.

War Machine Review Introduction

Back in 2025, I didn’t get to see enough Australian films to put together a best of at the end of the year. As an Australian-based reviewer, that felt a little embarrassing, well, I am not going to let that happen in 2026, and today we start with our first entry with a military/sci-fi romp where many pine trees do not survive first contact.

So, to set the scene, we open with a convoy of Humvees leaving the protection of their home base in Kandahar, Afghanistan. They are off to provide support to another convoy broken down in a communications‑dead zone. Where a Staff Sergeant (Alan Ritchson) catches up with his younger brother (Jai Courtney) in the other convoy, it was all going well until an ambush takes them all out. Two years later, that same staff sergeant is in Colorado for Ranger training like he promised his brother. But here he has no name, just a number 81. Here it is time for eight weeks of the most gruelling training known, and this is his last chance before he ages out. But as they finish the end of their training with the famous ‘Death March’, the extra-solar asteroid RX-505-Polemas heading towards Earth makes its closest approach and starts breaking up for no reason.       

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How to Make Gravy Review: A Deep Dive into Generational Trauma

TL;DR – I was not sure what to expect with this film going, but a deep exploration of generational trauma was the surprise that the film needed, that and gravy.

Rating: 4 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid for the Binge service that viewed this film.

Warning – Contains scenes that may cause distress.

Art of rescuing his dad from jail.

How to Make Gravy Review

One of the many odd traditions that happen in an Australian Christmas, along with seafood for Christmas lunch and the need to make Santa learn how to surf in his winter outfit for some reason, is that a song about making gravy becomes fantastically popular. It is a sad song of regret and longing for the family at a time when connections are fraught, and it has always felt like an odd choice for a Christmas song, but I didn’t get a say in that collective cultural choice. But will that song make a good film? Well, that is the question we will look at today.

So, to set the scene, last Christmas, everything changed, especially when it was the first Christmas without their grandmother. But no matter what happens, the family comes together and quietly judges that Joe (Daniel Henshall) lost his job. There is the joy of all the family coming together, but then the undercurrent of loss because one person is no longer there. Joe was struggling with everything and just does not want to talk to everyone, even though wants him to speak. Soon, a tipping point was reached, and Joe didn’t come home. Now, all his son Angus (Jonah Wren Phillips) wants for Christmas is to see his dad again.

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