Awards – The Costumes of 2019 That Made Us Say ‘Hot Damn’

There are many techniques you can use to help build your world, or ground your setting, or give dimensions to your characters. You can use music, you can create elaborate sets, but one of the best ways is the costumes you create.

People make instant judgments about a character within moments on the screen and the outfits are a really important part of that first impression. More than this, you can also use costumes as a way for storytelling, what do they say about this world, what do they say about how a character is progressing. 

Costumes can build worlds, tell us details we can only see, but also they can just make us say ‘hot damn’ look at that beading on that dress, that must have taken hours to do. So without further ado, these are the costumes that made us say ‘hot damn’ in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also. Please click on the banners to be taken to the full review.     

Continue reading

Movie Review – Jojo Rabbit

TL;DR – A very ambitious film and while it does not quite reach the lofty goals it sets for itself, I give it credit for trying when so many others don’t bother.     

Score – 4 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Jojo Rabbit. Image Credit: Searchlight Pictures.

Review

I have seen films that have embraced absurdism before, I have seen films that have explored World War Two before, I have never seen an absurdist film about World War Two before, well that is until today. This is a film that honestly I would have loved to be in the pitch meeting for because I have no idea how the hell it got greenlit even though I am glad that it did.

So to set the scene, in the midst of WW2 and living in Nazi Germany we find a young boy called Johannes “Jojo” Betzler (Roman Griffin Davis). In the aftermath of his sister dying and his father being away “fighting on the Italian front”, he spends his days at a Deutsches Jungvolk Hitler Youth training camp with his friend Yorki (Archie Yates) run by a very nonplussed Wehrmacht Captain Klenzendorf (Sam Rockwell). When recovering from an accident involving a grenade Jojo discovers that his mother Rosie (Scarlett Johansson) has been hiding a Jewish girl called Elsa (Thomasin McKenzie) in their attic, which brings Jojo into a moral quandary not helped by the suggestions from his good friend Hitler (Taika Waititi).   

Continue reading