There are many techniques you can use to help build your world, or ground your setting, or give dimensions to your characters. You can use music, you can create elaborate sets, but one of the best ways is the costumes you create.
People make instant judgments about a character within moments on the screen and the outfits are a really important part of that first impression. More than this, you can also use costumes as a way for storytelling, what do they say about this world, what do they say about how a character is progressing.
Costumes can build worlds, tell us details we can only see, but also they can just make us say ‘hot damn’ look at that beading on that dress, that must have taken hours to do. So without further ado, these are the costumes that made us say ‘hot damn’ in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also. Please click on the banners to be taken to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It is something that elevates a film to the heights of accolade or turns a film into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.
TL;DR – A charmingly delightful film about murder filled with fantastic performances and a real heart.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
For reasons that are far above my pay grade, there are film genres that come in and out of fashion all the time. One of these is the murder-mystery. I honestly can’t remember how long it has since I have seen a good old-fashioned murder-mystery up on the big screen. A film where you don’t know who done it because everyone is lying about something and there are many motives to go around. Well fear no more because today I get to talk about a film that takes this genre and not only produces a great version of it, but it also elevates the genre in the process.
So to set the scene, one-night wealthy murder-novel writer Harlan Thrombey (Christopher Plummer) is celebrating his 85th birthday with every member of his extended family in attendance. There is his daughter Linda (Jamie Lee Curtis) the real estate mogul and her husband Richard (Don Johnson), his son Walt (Michael Shannon) who runs his publishing agency, Joni (Toni Collette) the wife of his now-deceased son and her daughter Meg (Katherine Langford), and of course the black sheep of the family Hugh ‘Ransom’ Drysdale (Chris Evans). It is a fun evening of catching up and putting plans into place but the next morning as Fran (Edi Patterson) the housekeeper brings up his morning meal she discovers that Harlan has killed himself in the night. A week later everything has settled but then Marta (Ana de Armas), Harlan’s nurse, is called back to the house with the family by Detective Lieutenant Elliot (Lakeith Stanfield) because famed private eye Benoit Blanc (Daniel Craig) has been hired to look into the matter. Why is he there? Well because someone does not think Harlon’s death was suicide… they think it was murder. Now because of the nature of the film, it is hard to discuss it without getting into spoilers, so keep that in mind if you have not seen the film.