The Residence: Season 1 – TV Review

TL;DR – This was a delightful time as we pulled apart the motives of all the many people in the White House who possibly wanted a man to die.

Rating: 4 out of 5.

Disclosure – I paid for the Netflix service that viewed this show.

The White House.

The Residence Review

Many genres rise and fall as time goes on, and unless you live in the British countryside, one example of that is the humble Murder Mystery. There are times when we can’t get enough of them, and then there can be a desert with none in sight. They are also one of the oldest genres in the industry, and you have to wonder if there is space for anything new? Well, today, we get a delightful new entry that shows it can.  

So, to set the scene, it is just a typical day at The White House as everyone prepares for a state dinner with Australia who the Americans are currently on poor terms with. There is chaos in the kitchens, disasters in the seating plans, and some unfortunate kangaroo placements. However, all of that changes when a piercing screen from Nan Cox (Jane Curtin) echoes through the halls of power. For the chief usher, A.B. Winter (Giancarlo Esposito), is dead under somewhat mysterious circumstances. Anyone dying in the White House would be a calamitous event, but murder? That is unheard of. And while everyone fights to find out who actually has jurisdiction in this case, Larry Dokes (Isiah Whitlock Jr.), the Chief of Police at the MPD, calls upon the one person that he knows can take on such a challenge, Cordelia Cupp (Uzo Aduba), a consulting detective. Now, from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead. 

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Deadland – Movie Review

TL;DR –  It is a film with a lot of intrigue, but I wish it had a bit more going on under the hood.  

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was sent a screener of this film.

Warning – Contains scenes that may cause distress.

A man standing on the river's shore.

Deadland Review

I do love when films get weird, when they play with your perceptions of what is real or not, though I should maybe stop playing them before bed. Today, we are looking at a film that does just that with the people in the movie, but does it have the same effect on the audience?

So, to set the scene, we find ourselves on the USA/Mexico border with US Customs and Border Patrol, where they find a suspicious van trying to cross. Agents Angel Waters (Roberto Urbina) and Ray Hitchcock (McCaul Lombardi) find just a kid behind the wheel and a whole lot of drugs in the back. It was just a routine day for The Patrol, but when Angel is alone and finds the body of The Stranger (Luis Chávez) floating dead in the river, he is the most surprised when the man wakes up out of his body bag on the drive home. But when Angel’s father, Ignacio Coronado (Manuel Uriza), returns and the dead man, now alive, turns up dead again, things start falling apart, and this is when Internal Affairs starts to sniff around.  

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