Michael – Movie Review

TL;DR – A complicated film about a complicated person that stops just short of having to draw any lines in the sand by creating an interesting framing device for its narrative.

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

Warning – Contains scenes with flashing lights.

The crowd cheers for Michael.

Michael Review Introduction

Ever since the onslaught that was Bohemian Rhapsody, the cinema space has been full of other musical biopics trying to recreate that lightning in a bottle, assuming you rate Bohemian Rhapsody highly in the first place. We had the fascinating Kneecap, the historically revisionist  The Greatest Showman, and the shameless Oscar grab of A Complete Unknown, to name a few. However, there are always new musicians out there ready for their musical biopic, and today’s entry takes us to the complicated world of Michael Jackson. Now, given this is a movie about a real person’s life, someone who lived not that long ago, we won’t be as stringent with spoilers in this review as we would for a fictional work.

So, to set the scene, throughout the history of 20th-century music, few people have had the same reach and popularity as Michael Jackson (Jaafar Jackson). Even as a child, Michael’s (Juliano Krue Valdi) talent was clear to anyone who could see or hear. But talent can be a gift, and it can be a burden. It can lift a family from obscurity into the lounge rooms of every house in America and the world, and it can also rip that family apart.

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Austin Powers: International Man of Mystery (1997) – Exploring the Past

TL;DR – While it works as a time capsule of the 90s, so much of this film was left back 30 years ago  

Rating: 2.5 out of 5.

Post-Credit Scene – There are mid-credit scenes

Disclosure – I paid for the Binge service that viewed this film

A henchmen and the Steam roller.

Austin Powers Review

When you have had a bad week, one reflex you do is go back to old films from your youth. The only issue is that the movies of your youth might often not have the narrative legs you once thought they did, or you are just looking at them with new eyes. This week, the film in this situation is the James Bond spoofing Austin Powers.

So to set the scene, in 1967, somewhere outside of Las Vegas, Dr Evil (Mike Myers) is holding court with his minions, frustrated that none of them has been able to kill the famous British agent Austin Danger Powers (Mike Myers). Meanwhile, in London, after a significant musical number during the credits, Mrs Kensington (Mimi Rogers) lets Austin know that Dr Evil has set a trap for him at the Electric Psychedelic Pussycat Swingers Club. Not wanting to be left out, Austin goes to the club, but Dr Evil is about to escape and has himself cryogenically frozen. In 1997, NORAD is looking at their scopes, and suddenly an object appears, and they discover that Dr Evil has returned, and it is time for the world to need Austin Powers again.   

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