The Odyssey (2026) – Movie Review

TL;DRThe Odyssey is a rare blockbuster that combines spectacle, emotion, and myth in equal measure. It left me awestruck, unsettled, and completely engrossed from beginning to end.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Warning – Contains scenes which may cause distress.

Warning – Contains scenes with flashing lights.

Ships on the ocean at sunset.

The Odyssey Review Introduction

There are many foundational myths across the world, such as the Epic of Gilgamesh, Kebra Nagast, and Beowulf, to name a few. Each is written in a style of myth and history in a way that evokes the human condition. Today we look at Christopher Nolan’s dive into this world, taking on the unenviable task of bringing The Odyssey to the big screen.  

So, to set the scene, it has been twenty years since Odysseus (Matt Damon) left on the command of Agamemnon (Benny Safdie) to siege Troy and return the ‘kidnapped’ Helen (Lupita Nyong’o) to Menelaus (Jon Bernthal). However, it has been eight years since the city fell to the Trojan Horse gambit, and Odysseus has still not returned home to his wife Penelope (Anne Hathaway) and son Telemachus (Tom Holland). This has been enough time for new suitors to start sniffing around, trying to gain the kingship of Ithaca via marrying Penelope. She has held them off for years, even as they use Zeus’ Sacred law to bleed her dry with banquet after banquet. Penelope holds on, partly because she knows they will kill her son as soon as a new heir is born, but also because deep down in her heart, she knows that Odysseus is alive out there somewhere.

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Mercy – Movie Review

TL;DR – This is an insipid, soulless, and excruciating attempt to appear relevant, but it ends up having little genuine intellectual fortitude.

Rating: 1.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to watch this film.

A ticking countdown clock.

Mercy Review Introduction

Now, I’ll be honest from the outset, while I always try to go into a film not knowing the general reaction towards it, sometimes you simply can’t escape finding out. In that vein, I did know that Mercy was generally considered a bit of a dumpster fire before I walked in, but people and critics can be very wrong, so given the cast and the premise, I was ready to give it the benefit of the doubt. I should not have given it the benefit of the doubt.  

So, to set the scene, in the not-too-distant future, Los Angeles is under attack from crime, civil disturbance, and a court system about to fail. To change that up, they institute the Mercy System, where violent offenders of capital crimes are sent to the Mercy Court, where an AI judge (Rebecca Ferguson) gives them 90 minutes to lower their guilt probability to under 92%, or they are instantly executed. One of the early proponents of this new system is LAPD Detective Christopher “Chris” Raven (Chris Pratt), who supported it after his partner (Kenneth Choi) was killed in the line of duty. Which is unfortunate for him, because he now sits strapped to a chair with that same AI judge staring down at him watching a clock count down and a guilt probability that he killed his wife, Nicole (Annabelle Wallis), sitting at 97.5%.

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