TL;DR – A film of two halves, some interesting characters in a story that fails to deliver
Rating: 2.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Today we are looking at a film of two halves, which makes it a difficult movie to review. This is because there are aspects where the film shines, and then there are moments where it all falls apart. These two halves create a disconnect that you can’t help but see throughout the entire runtime.
So to set the scene, we open in on Freddy (James Rolleston) and Marvin (Samuel Austin) in a room that is about to explode in gunfire. We then jump back a night where we see Freddy and Marvin in a car as they completely botch up robbing an ATM, severely damaging their boss’ car. From here they are up a certain creek without a paddle. Their boss Spiggs (Scott Wills) gives them one opportunity, they have to kill the guy sleeping with his wife, and it all goes wrong from here.
TL;DR – Not what it seems, which is good, because it is better than it seems
Score – 4.5 out of 5 stars
Wow, what a fascinating film. To be perfectly honest I was not going to go see The Dressmaker, but a colleague of mine challenged me to see a film I would not normally see, and boy did I end up picking a good one. The Dressmaker tells the story of Myrtle ‘Tilly’ Dunnage (Kate Winslet) who at the start of the film is arriving back in her hometown of Dungatar after leaving as a child under the cloud of scandal. She is back to see her mother Molly (Judy Davis) who has in the preceding years suffered from dementia and become a recluse in her house, garnering the nickname Mad Molly. But for Tilly, time away from Dungatar has meant learning fashion design from the greatest minds of London, Paris and Milan and maybe, just maybe she can use her talents as a dressmaker to win over the town. And in a normal film that would be that, stick a couple of scenes of a shirtless Liam Hemsworth and call it a day, but The Dressmaker is more than that, and it is so much better for it.