Minions: The Rise of Gru – Movie Review

TL;DR – While it might not hit as hard as its predecessors, it was still a joy to be back in this world.     

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I was invited to a press screening of this film

Gru and the Minions in the one bed.

Minions: The Rise of Gru Review

This may be due to my never having children, much to my mother’s chagrin, but I have always liked the Despicable Me films. Gru (Steve Carell) discovering who he is through the prism of his daughter’s love and then becoming a better person for it. Well, that is some compelling stuff. Heck, I even like those quirky little minions always up to mischief. I think I was the only one who laughed at their cameo in Mortal Engines. I am sure that would have changed if I had been subjected to them time after time. But coming in here, I thought that Despicable Me 3 might have started to show the limits of this story, and I wondered could a prequel help?

So to set the scene, it is 1976, and a very different set of villains torment the globe, which the film wastes no time showing as we see Belle Bottom (Taraji P. Henson) race through town, evading the authorities at every turn. In the lair of The Vicious 6, she reveals to their leader Wild Knuckles (Alan Arkin) a map to an ancient stone pendent of power. Well, one trip to Asia later, one betrayal, and one Bond-inspired title sequence later, there is now a free spot open in The Vicious 6, and a young Gru wants in.

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Death on the Nile – Movie Review

TL;DR – A sequel that boosts in individual performance while lacking in the ensemble.     

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Disney+ streaming service that viewed this film

Poirot sitting in front of the Sphinx.

Death on the Nile Review

When COVID struck, nearly every major film was bumped from the schedule. For many, this gave them a moment to release in a time when people could see them safely. However, for others, the delay meant that it was released after a significant scandal decoupled one of its major stars. Alas, with this outing, we get a film that was the latter. But the question I had when going in was, could it overcome it?  

So to set the scene, we open in the trenches of WW1, where a well-moustachioed Captain is told that they need to take a bridge, a death note. However, a young Poirot (Kenneth Branagh) tells of a different way to attack the bridge that won’t leave them exposed. It worked, but a tripwire kills the captain. After the events of Murder on the Orient Express, Poirot finds himself in Egypt and the company of his friend Bouc (Tom Bateman) and Bouc’s mother Euphemia (Annette Bening) as they tour down the Nile. They are part of a wedding party, of a whirlwind marriage of Linnet “Linny” Ridgeway-Doyle (Gal Gadot) and Simon Doyle (Armie Hammer). But there is more danger on the Nile than the crocodiles lurking under the water.

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