TL;DR – A sequel that boosts in individual performance while lacking in the ensemble.
Rating: 3 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Disney+ streaming service that viewed this film
Death on the Nile Review –
When COVID struck, nearly every major film was bumped from the schedule. For many, this gave them a moment to release in a time when people could see them safely. However, for others, the delay meant that it was released after a significant scandal decoupled one of its major stars. Alas, with this outing, we get a film that was the latter. But the question I had when going in was, could it overcome it?
So to set the scene, we open in the trenches of WW1, where a well-moustachioed Captain is told that they need to take a bridge, a death note. However, a young Poirot (Kenneth Branagh) tells of a different way to attack the bridge that won’t leave them exposed. It worked, but a tripwire kills the captain. After the events of Murder on the Orient Express, Poirot finds himself in Egypt and the company of his friend Bouc (Tom Bateman) and Bouc’s mother Euphemia (Annette Bening) as they tour down the Nile. They are part of a wedding party, of a whirlwind marriage of Linnet “Linny” Ridgeway-Doyle (Gal Gadot) and Simon Doyle (Armie Hammer). But there is more danger on the Nile than the crocodiles lurking under the water.
TL;DR – Personality can only go so far in covering over narrative shortcomings
Rating: 2.5 out of 5.
Post-Credit Scene – There is no post-credit scene
Disclosure – I paid for the Netflix subscription that viewed this film
Red Notice Review –
Heists, betrayals, double-crosses, and more. Look, these films are usually my jam. Watching two groups try to outmanoeuvre each other, not knowing if a plan will succeed or fail, is a lot of fun. When you get a film that fails on that front, it can be more disappointing than usual.
So to set the scene, apparently, when Cleopatra and Mark Anthony married, Marc presented her with three ornate eggs. With their deaths, the eggs were thought a myth until two were found by accident. Today, one of the eggs is held in the museum in Rome … or is it. For FBI profiler on art crime John Hartley (Dwayne Johnson) has had a tip-off that notorious thief Nolan Booth (Ryan Reynolds) is about to steal it. Insert action scene here.
TL;DR – A better film than the original, but some of the old flaws are still there, and with some new ones to boot.
Rating: 3 out of 5.
End Credit Scene – There is no end credit scene
Disclosure – I paid for the Binge subscription that viewed this series.
Zach Snyder’s Justice League Review –
When the first Justice League came out, there were whispers of its difficult production but no hints about what went on behind the scenes. Looking back on my review of the first film, I don’t think I was as harsh with the film’s final cut as many other people were. However, that may have just been the feeling of inevitability as to where the DC Expanded Universe was heading. Since then, rumours of the Snyder Cut have permeated popular culture, creating a less than ideal back and forth between the different sides. Well, today, we get to see that original vision of the director come to pass, with the official cut being released on home media.
TL;DR – In many respects, this is a messy film, but it is also engaging and entertaining from start to finish
Rating: 3.5 out of 5.
Post-Credit Scene – There is a mid-credit scene
Wonder Woman 1984 Review –
Of all the film franchises that have had a rough go of it in recent years, the top of that list would have to be the DC Extended Universe. For a long time, it felt like it was trying to find an identity after the first attempt fell flat and it kept swinging wildly trying to compensate. The first Wonder Women film came out, and for the first time in the franchise’s history, it actually stuck the landing. The question then becomes ‘can they do it again?’ and the answer is apparently yes, yes they can.
So to set the scene, we open back on Themyscira when Diana (Lilly Aspell) was a young girl. It is a festival day where the warriors of the land compete in a grand obstacle course, and of course, Diana wants to join in. It is here where she learns the important lesson that there are no shortcuts in life. As time goes on, we see little snippets of Diana’s (Gal Gadot) life as she hides among the humans but every now and again she dons the mantle of Wonder Women to fight some crime. What she didn’t expect is this crime would unearth something that should have stayed buried.
TL;DR – A solid family film,with some great moments, but I am not sure it will have the same impact as the first film.
Score – 4 out of 5 stars
Post-Credit Scene – There is a mid and post-credit scene
Creating films about the internet is something we are seeing more of as filmmakers try to incorporate this major part of our lives into the cinematic landscape. However, because the Internet is something that is both instantly familiar but also completely abstract, it actually is a difficult task to pull off as long as you don’t mind adding a crane shot into a cable. In the last year or so we have had the bad with The Emoji Film, and the amazing with Searching (see review), and today we have another entry into the genre with Ralph Breaks the Internet, which while not amazing, is still a fun ride.
TL;DR – Is it as good as Wonder Woman, no not by a long shot, but it is also not the steaming mess like the last two films, so there has been some improvement here.
Score – 2.5 out of 5 stars
P.S. – There is a mid and end credit scene.
Ok before we start I need to say that this is actually a very hard film to review because while it shouldn’t matter, you can’t avoid not looking into the issues this film had in pre-production. Firstly, you have the disastrous reaction to both Batman v Superman (see review) and Suicide Squad (see review) hitting after production had already started, and you can see the course correction that they tried to make here. But also during production Zach Snyder’s family suffered a great tragedy and he stepped aside which meant that the reshoots and final edit was completed by Joss Whedon. So it is hard to work out where to direct criticism, but also you don’t want to heap stuff on someone who has suffered greatly. So will all this groundwork I will try my best to be objective here but you can’t help but bring outside stuff into this.
TL;DR – While not revolutionary per se, DC finally found a formula that works, and realised that there is no point moving a universe ahead if the individual movies don’t work.
Score – 4 out of 5 stars
P.S. – There is NO mid/post credit sequence
So if you have read my reviews for Suicide Squad or Batman v Superman you would probably know that unfortunately, I have not had the best time with the DC Expanded Universe so far. Now when it comes to DC v Marvel I have no skin in the game, I want both to succeed, and I only care about if the movie is good or not, and so far DC just has not made a compelling entry into this expanded universe of theirs. Well, that is until now. Is Wonder Woman a perfect film, no of course not, but it is logically structured, emotionally resonant, and filled with fascinating characters, which is a huge step in the right direction. Now as we go one we will keep this as spoiler free as possible, however, we do need to discuss the ending, but we will clearly mark them so that you can avoid them it if you want.
TL;DR – On the one hand this film does nothing new, and follows the same patterns and tropes of the genre, on the other hand, everybody commits to their roles, so it actually turns out quite good.
Score – 3.5 out of 5 stars
When you go to a Hollywood movie that describes itself as an ‘action-comedy’ especially an American PG-13 ‘action comedy’, it tends to follow a very predictable route, characters are put into a zany situation, there will be some risqué subject material, but not too risqué, and they will drop their one F-Bomb at some point in the film and Keeping Up with the Joneses does not deviate from this at all. Indeed The Joneses fits very comfortably within the buddy-cop, or fish out of water genre, by taking two very different couples and then playing them off each other, and in that interplay hopefully some humour can be found. So the question then becomes can The Joneses solid enough film to sustain its premise for the whole film whilst still being entertaining, and well for me, I think they pulled it off.
TL;DR – An utter mess of a film, disjointed, nonsensical, and a very poor foundation for DC to build their Justice League series on
Score – 2 out of 5 stars
You know I wanted to be surprised by Batman v Superman, it looked rushed, it looked like they had not given enough thought before rushing ahead with their Avengers competition, it looked like they were making all the same mistakes Sony made with Spiderman, but still, I wanted to like it, but alas this is an incoherent mess of a film with only momentary glimpses of being any good. To get us started, Batman v Superman starts with us experiencing the climax of the last film from Bruce Wayne’s (Ben Affleck) perspective, we then jump forward to two years later where a bat vigilante is attacking criminals in Gotham across the bay from Metropolis, Lois Lane (Amy Adams) is in Africa being the damsel in distress (a role she will be stuck in for this film) and everyone else is politely pretending that Clark Kent and Superman (Henry Cavill) are not the same person.