Tag Archives: Scandinavian Cinema

Touch (Snerting) – Movie Review

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TL;DR – This is a stunningly beautiful portrait of a man’s life that feels both deeply personal and universal in what drives him. It is profoundly moving and full of narrative grace that could have been all melancholy but is instead full of heart and joy.   

Rating: 5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a screening of this film.

Kristófer looks out over a city scape.

Touch Review –

I know this is only August, and there are many films I will see this month, let alone by the end of the year, but today, can I say that we are looking at one of my films of the year. If not, the film of the year. This is such a stunning work that it has sat with me the whole time since I first watched it. I mean, Touch is such a beautiful film that I am getting emotional from writing about it now.

So, to set the scene, Kristófer (Egill Ólafsson) is going through the motions of his life in Iceland at the start of the COVID pandemic. He is a famous restaurateur on the island, but he has now closed his restaurant and is spending time at a local choir and trying to invoke his past diaries. But as the world starts to close up, Kristófer sets on a mission to answer one of the great questions of his past when he (Palmi Kormakur) was a young student in London and one day, he walked into a Japanese restaurant and met Miko (Kōki).

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Sisu – Movie Review

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TL;DR – An electric meditation on violence and the lengths people will go to survive.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

A horse rides over the Lapland countryside.

Sisu Review –

Violence can be used for many things in cinema. It can be shocking, used for humour, tell a moral, used to scare, or even offend. Recently, we have seen the popularisation of the reverse slasher film, where you rally behind those dishing out the violence. We can all rally behind John Wick as he takes down those who killed his dog, but can we translate that into a war setting? Well, this is what we are exploring today.

So to set the scene, in 1944, it was the closing months of WW2, and after Finland signed the Moscow Armistice, they were required to evict any Nazi presence from the country. The Nazis then start a scorched earth campaign as they retreat through Lapland to reach the Norwegian border. Aatami Korpi (Jorma Tommila) lives in the Lapland wilderness, mining for gold with his dog and horse as the only companions. After finding a rich gold reef, he returns to Helsinki to deposit it at the bank when he comes across Bruno Helldorf (Aksel Hennie) and his retreating SS platoon. This first group lets him pass, but carnage breaks loose when the second spots the gold.

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Troll – Movie Review

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TL;DR – A fantastic monster film that crashes through the Norwegian countryside, leaving very little in its wake.    

Rating: 4 out of 5.

Post-Credit Scene – There is a mid-credit scene

Disclosure – I paid for the Netflix service that viewed this film

The destruction of a house.

Troll Review –

I have wanted to explore more of world cinema for a while, and one area where I have been trying to expand my knowledge is Scandinavia. I have not visited a film from this region in a time, and never one from Norway. With reports of a new Kaiju film out of that region all about a troll on a rampage, I knew that this was the perfect time to jump back in.

 So to set the scene, at Trolltindene, Romsdalen, in Norway, Nora (Ameli Olving Sælevik) and her father Tobias (Gard B. Eidsvold) climb up a cliff face. Once they reach the top, they see The Troll Peaks, and Nora relates the fairy tale of a big troll wedding where 13 trolls got too drunk, and when the sun rose, they were turned to stone. Twenty years later, on the Atlantic coast of Norway, Nora (Ine Marie Wilmann), now a palaeontologist, is rejoicing because they finally found a fossil. But in the village of Hjerkinn, in the Dovrefjell mountain range, a rail tunnel is being controversially cut through the mountain. But the last explosive charge does not just blow up some rock. It wakes a creature from its slumber, an angry beast.

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Movie Review – Alive

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TL;DR – A short film that explores the important bond between people    

Score – 4 out of 5 stars

Alive. Image Credit: Distribution with Glasses.

Review –

When it comes to films, if it can get to that core emotional note and thus resonate on that deep level, well that will always hit that much harder for me as a viewer. This is because if the emotions work, then so much more of the film will flow from there. Today we explore a short film that knows this and focuses in on it as the core of the film.  

So to set the scene, Viktoria (Eva Johansson) lives her life in a wheelchair and needs around the clock support to live her life. During the day, her assistant Ida (Madeleine Martin) was walking through the park when they run into Ida’s boyfriend Björn (Joel Ödmann). Later that day, Viktoria admits that she feels alone. So Ida sets her up with a Tinder profile to find someone.

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Exploring the Past – Alone in Space (Ensamma i Rymden)

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TL;DR – A charming little Science Fiction film even though it does have a few rough edges   

Score – 3 out of 5 stars

Post-Credit Scene – There is no post-credit scene

Alone in Space (Ensamma i Rymden). Image Credit: Nice Drama.

Review –

If you have read our site before, you’ll know that we are all about new Science Fiction films and ways they explore the genre. This year I have wanted to branch out and see how other countries are approaching Science Fiction to broaden my cinematic experience and today we get to do that with Alone in Space a film about being trapped alone in space from Sweden.

So to set the scene, we open in on the Svea XVI an escape ship form a dying Earth, but instead of being filled with colonists/refugees the only ones on board are Gladys (Ella Rae Rappaport) and her younger brother Keaton (Dante Fleischanderl). They try and get through the day, fixing what they can of the ship, scavenging food and stuff in their journeys and talking to the ship’s Japanese AI Otosan. Well one day there is a crash, sending everything on the ship flying. Thinking it was some debris they ignore it and go about fixing the ship only to discover they are no longer alone.  

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TV Review – The Rain: Season Two

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TL;DR – It builds on the season before and becomes a much more intense show that maybe holds its cards bit too close to its chest.

Score – 4 out of 5 stars

The Rain: Season Two. Image Credit: Netflix.

Review –

Early last year I got a chance to watch the first Netflix show to come out of Scandinavia. The Rain had a fantastic premise with strong characters, overarching story, and design work. Though it was a show where it would have been great to see it take some more risks and chart a more independent course. Flash forward to a week ago and the second season dropped onto the service and at once it captivated me back into this world of post-apocalyptic Denmark.

So to set the scene, one day everyone’s lives in Denmark and at least Southern Sweden changed for the worse. For that day it started to rain, nothing new in Scandinavia, but this time the rains did not bring life, but death. Something we are reminded about in the opening moments of Season Two when we see the carnage once more to give us perspective moving forward. We jump back into the story just when Season One ended with Simone (Alba August), Rasmus (Lucas Lynggaard Tønnesen), Martin (Mikkel Følsgaard), Jean (Sonny Lindberg), Lea (Jessica Dinnage), and Patrick (Lukas Løkken) escaping from the Apollon headquarters along the barrier wall in Sweden. Just when all hope is lost, Simone and Rasmus’ father Frederick (Lars Simonsen) gives them a location where they might get some help, moments before he himself is killed. So with a plan, they set off for this hidden base, but there could be an even worse danger within because the virus in Rasmus is adapting and changing and it is destroying everything in its path. Now from here, we will be looking at the season as a whole so there will be [SPOILERS] ahead.

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Movie Review – A Moment in the Reeds (2017)

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TL;DR – A very contained film exploring relationships as they form in the intensity of a single moment.      

Score – 3.5 out of 5 stars

Post-Credit Scene – There is no post-credit scene

A Moment in the Reeds. Image Credit: Wild Beast Productions.

Review –


Today I have been rained in, so with everything I was going to do put on hold, I thought I would take some time and explore some of the films available on-demand here in Australia. The first one I came across was a film out of Finland that explores a bond that is formed over a weekend working in the Finish countryside.

So to set the scene, Leevi (Janne Puustinen) is coming home to Finland after a long time away in Paris. He is home to get some research done on his thesis but whilst he is there he feels compelled to visit his father Jouko (Mika Melender), even though they have a strained relationship after the death of his mother. When he arrives at their summer cottage, Leevi discovers that his dad is renovating it, getting it ready to sell, and since he had no idea Leevi was coming he had hired someone from a job agency to help him. That is how Tareq (Boodi Kabbani) arrives at the cottage, and it is a good thing Leevi is there because Tareq is a Syrian refugee and he doesn’t speak Finish, and Jouko’s English is not that great so Leevi can act as a translator. However, things heat up when the two are left to their own devices and discover each other.

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TV Review – The Rain: Season One

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TL;DR – An interesting take on the post-apocalyptic genre from Denmark, which blends a number of common elements to make something quite interesting, if not that unique.

Score – 3.5 out of 5 stars

The Rain

Review –

The Post-Apocalyptic genre is one of those settings that can either be gold or a complete drag or in the case of one current series on TV at the moment, it could start off as gold and then drag into oblivion. At the heart of what makes these settings work is the focus on the characters and the human stories among the devastation. This is why films like Mad Max, The Matrix and shows like Jericho, and even video games like Fallout are so evocative. Today we are looking at another entry into this genre from Denmark with The Rain.

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