Tag Archives: Science Fiction

Foundation: The Mathematician’s Ghost – TV Review

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TL;DR – We start to see the main story unfurl, but some of the more frustrating elements are still there.

Rating: 3 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Foundation: The Mathematician’s Ghost. Image Credit: Apple TV+.

Foundation Review –

‘Non-linear storytelling’ is a method of creating a narrative that does not follow the usual A->B->C->D pattern but can jump all over the place C->D->B->A. Sometimes this comes in the form of a narrative hook where they show something shocking and jump back in a week to show how they got there. Sometimes it can be used to keep an audience off-balance. Sometimes it can be a complete surprise, like in Westworld. But if you are going to employ a non-linear story, you need to make sure it improves your narrative and that you are not losing your audience in the process.

So to set the scene, at the end of Preparing to Live, we had a moment of horror as Hari Seldon (Jared Harris) is apparently murdered at the hands of his own son Raych (Alfred Enoch) while Gaal (Lou Llobell) was jettisoned out of an escape pod. This episode we open 400-years earlier when Cleon the First (Terrence Mann) is looking over the construction of the Starbridge and preparing to create the legacy of his clones. We then jump 19 years after the bombing in The Emperor’s Peace, as Brother Dusk (Terrence Mann) has started his final day before becoming Brother Darkness. While 36 years after the bombing, the colonists have landed on Terminus and have been spending their time founding a colony and starting the task of softening the fall of the galactic empire.   

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Foundation: Preparing to Live – TV Review

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TL;DR – While still showing promise, the follow-up does not hit as hard as the first.   

Rating: 3.5 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Foundation: Preparing to Live. Image Credit Apple TV+.

Foundation Review –

Adapting a work from one medium to another is a complex process. Indeed, the media landscape is lifted with the failed attempts and aborted projects. This danger is amplified further when you adapt a work that is older and does not play within modern narrative frameworks. Today we continue to explore a show that is charging through this dangerous terrain by adapting a pillar of Science Fiction’s canon.

So to set the scene, Trantor is a planet still reeling from the terrorist attack in The Emperor’s Peace that destroyed the Starbridge sending the space elevator plummeting towards the planet, killing hundreds of millions on the ground. In the opening, Eto Demerzel (Laura Birn) leads a task force to Dwarf Planet Aethra to hunt down whoever financed the attack, but no clues could be found. But while the Empire reals, the Foundation is making the slow 5-year journey to the outer rim, but for all their training, projections still show that 30% of the colonists will still die in the first year. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.  

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Foundation: The Emperor’s Peace – TV Review

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TL;DR – This is a good foundation for a series that moves everything into place and hints at much more.  

Rating: 4 out of 5.

Disclosure – I paid for the Apple TV+ service that viewed this episode.

Foundation: The Emperor’s Peace. Image Credit: Apple TV+.

Foundation Review –

For a while now, I have been wondering just what would make me up and give Apple TV+ a go. Sure, I’ll probably watch Ted Lasso at some point and cry a lot, but I needed something to grab me. Well, I have made my position about Sci-Fi quite clear, and if you are going to hook me with something, adapting a series from one of the greats, well, that will do it. Isaac Asimov is up there with Arthur C Clarke, Ursula K Le Guin, Philip K Dick, Frank Herbert, Mary Shelly, and HG Wells and to see his masterwork brought to the screen, well count me in.

So to set the scene, we open in on the planet of Terminus, where on a promenade looking over the small colony is ‘the Vault’. It is a floating repository with a null field forcing you to turn away from it if you dare approach, as some local kids find out the hard way. 35-years earlier, we land on the planet of Synnax, a water world surrounded by rings. Here a young Gaal Dornick (Lou Llobell) is making a final trip from her planet. She is going to the centre of the galaxy, the home of Emperor Cleon (Lee Pace, Cassian Bilton & Terrence Mann), and where she will meet Hari Seldon (Jared Harris), the great man of mathematics and the founder of psychohistory. But little does Gaal know that the Empire’s peace is being tested and that she might just be arriving for her trial and execution. Now from here, we will be looking at the episode as a whole, so there will be [SPOILERS] ahead.  

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Reminiscence – Movie Review

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TL;DR – It creates a fascinating world and engaging plot, but unfortunately, the story gets lost in places.   

Rating: 3 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I was invited to a press screening of this film.

Reminiscence. Image Credit: Warner Bros. Pictures.

Reminiscence Review –

Tonight is one of those rare occasions where I got to walk into a film with a minimal idea of just what I was going to see. All I had to go on was the poster, which told me who was staring, that the people behind Westworld created it, and that it gave me big Sci-fi vibes. Now that I have watched it, well, that was pretty spot on.  

So to set the scene, the ice caps have melted in the not too distant future, causing the sea to rise, inundating cities like London, New Orleans, and Miami. In some places, they have built giant levees to hold off the water. In others, people live on the ruins of the old world. In the chaos of the rise, wars were fought, and it is here where the technology for extracting memories first was found. Nick Bannister (Hugh Jackman) and his technician Watts (Thandiwe Newton) were veterans of that conflict. They now run the reminiscence technology to help people find what was lost or remember the better times. While it is not going swimmingly, it is enough to stop them from starving, but then one day, Mae (Rebecca Ferguson) walks in looking for her lost keys, and Nick’s world changed in an instant.

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The Tomorrow War – Movie Review

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TL;DR – An interesting film with a concept that intrigues you, delights you, and also kind of terrifies you.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Amazon Prime subscription that viewed this film.

The Tomorrow War. Image Credit: Amazon Studios.

The Tomorrow War Review –

The Alien Invasion genre and the Time Travel genre are ones that you would expect to crash into each other more often than they do. But there are times when they crash into each other you get fantastic, weird works like Edge of Tomorrow. Today we get another entry into this world with a war that is coming in the future, but we are fighting it now.   


We open with Dan Forester (Chris Pratt) crashing into a city on fire. War has come to this land and left carnage in its wake. Twenty-eight years earlier, in December 2022, Dan is with his wife Emmy (Betty Gilpin), and daughter Muri (Ryan Kiera Armstrong) are watching the World Cup after Dan lost out to another private-sector job when an explosion happens in the middle of the final match. It was not a bomb, but Lt. Hart (Jasmine Mathews) and her team coming back from the future. They are at war with an Alien force, and humanity is losing. They need people from the past to jump to the future and help them fight, or all humanity is doomed.  

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Stowaway – Movie Review

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TL;DR – A film that understands the weight of the question it asks and the damage that would do to people.     

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene

Disclosure – I paid for the Netflix subscription that viewed this movie

Stowaway. Image Credit: Netflix.

Stowaway Review –

It should come as no surprise to long or short term readers that I love Science Fiction. While the fantastical location of space is an excellent place to set your film, and I enjoy them no matter how they come. What can make a film special is when they use that setting to ponder important questions about the human condition. Today we have a look at a film that delves into crucial Kobayashi Maru territory.   

So to set the scene, we open in as the Hyperion mission on MTS42 is about to launch. Mission commander Marina Barnett (Toni Collette) is setting the ship on a course for a two-year mission out to Mars and back. Along for the mission is Zoe Levenson (Anna Kendrick), a medical researcher and David Kim (Daniel Dae Kim), the ship’s biologist. You feel the rumble of engines, the shake that makes you think the very ship will through itself apart, but then you break free into the void. Once connected with the main module, they begin the long trip to Mars. However, this is a mission with supplies for three people, but as the title implies, someone else made the journey into orbit.

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Voyagers – Movie Review

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TL;DR – While it is clearly treading across old ground, I still found the narrative and the cast to be compelling throughout.    

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I was invited to a press screening of this film.

Voyagers. Image Credit: Universal Pictures.

Voyagers Review –

When you are talking about scenarios that immediately capture your attention, humans escaping Earth to try and colonise another planet to make sure humanity survives is one of those that immediately catches my attention. When it is done well, you are drawn into this world of desperation and struggles of leaving behind what you love for the unknown, but you lose the humanity for spectacle when it is done poorly. Today we look at a film that kind of swings between these poles in parts, but never the less left an impact on me.

So to set the scene, in 2063, the climate on Earth is steadily worsening as the planet warms, leading to the genuine suggestion that humanity might not survive as a species. However, in this moment of darkness, scientists find what they believe to be a habitable planet. The only problem is that it will take over 80 years to reach it with the current technology. This means that those who leave on the trip will likely not be alive when it arrives, and indeed it will probably be their grandchildren, the third generation, that will survive. Given the danger and pressure to get a scouting ship out as soon as possible, they decide to grow a purpose crew that has never seen the big open world so they won’t miss it during the long ride. However, that means they are just children, so Richard Alling (Colin Farrell), their teacher decides to join them on the one way trip into the dark to help prepare them for those moments when it all goes wrong.     

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Pacific Rim: The Black – Season 1 – TV Review

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TL;DR – This is a show with a lot of potential that would have worked a lot better had it not stumbled in critical places.

Rating: 3 out of 5.

Disclosure – I paid for the Netflix subscription that viewed this series.

Pacific Rim: The Black. Image Credit: Netflix.

Pacific Rim: The Black Review –

When you hear that there will be an American Animation TV Series, done in the style of a Japanese Anime, based in the Pacific Rim universe, and then set in Australia, well, that is an exciting combination if I have ever heard it. Good or bad, you want to see how it works. With that in mind, let’s dive into this fascinating if flawed world.

So to set the scene, we open in the days after chaos erupts across Australia as rifts open up the centre of the continent. After a valiant fight, it becomes clear that Australia is lost, and the call to evacuate is put out. Everyone had five days to reach Brisbane, Darwin, Perth, or Sydney. While trying to help with the evacuation, one Jager team stays back to stop the Kaijus because their children had yet to leave. They tried to get to the evac point, but they were too late. Instead, they took the group of civilians back to their home base Shadow Basin which was also destroyed. The parents left everyone behind in an oasis and leave to go to the coast to get help. Five years later, Hayley (Gideon Adlon) and Taylor (Calum Worthy) have a fractured relationship as their parents never returned. However, one day Hayley fell down a metal hole and discovers that not all of Shadow Basin was destroyed, with the Atlas Destroyer Jaeger and its AI Loa (Erica Lindbeck) still there. But that discovery becomes a beacon for all the danger in the world. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.    

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Tribes of Europa: Season 1 – TV Review

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TL;DR – This is a fascinating world that I think that we have only just scratched the surface of.  

Rating: 4 out of 5.

Warning – Depicts scenes of abuse

Disclosure – I paid for the Netflix subscription that viewed this series.

Tribes of Europa: Season 1. Image Credit: Netflix.

Tribes of Europa Review –

When you think of post-apocalyptic shows or movies, you think of drab banner expanses of nothing where only the best like Mad Max Fury Road can make shine. But that is one of the many different pallets of the world could take. In Tribes of Europa, we get a very different type of post-apocalypse, even if there are some familiar elements.

So to set the scene, in 2029, a worldwide blackout called Black December destroyed civilization as we know it on the planet. The Nation-State as we know it today crashed a burned with thousands of micro-states emerging in their wake. In 2074, those micro-states have started to war over the former lands of Europe or, as it is now called, Europa. It is here where Liv (Henriette Confurius) and her family Kiano (Emilio Sakraya) and Elja (David Ali Rashed) see a plane crash while out hunting an event that would shift the balance of the continent. Now from here, we will be looking at the season as a whole, so there will be some [SPOILERS] ahead.     

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Interplanetary Enhanced Edition – Exploring the Past (2017)

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TL;DR – Conflict on a planetary scale that combines orbital mechanics with the chaos of Worms

Rating: 3.5 out of 5.

Disclosure – I paid for the game.

Interplanetary Enhanced Edition. Image Credit: Team Jolly Roger.

Interplanetary Review –

When you play online games with a group of friends occasionally, there will be the call of “what does everyone have?” followed by everyone scanning through their Steam lists for options as a suggestion after suggestion gets vetoed by a different member of the group. Last week this happened with my friends and them someone threw out the request Interplanetary, a game that I played a bit when it first came out in 2015 but hadn’t thought much of it since. Then we discovered that Interplanetary had an Enhanced Edition and well we loaded it up and cried havoc and let slip the dogs of war.

So to set the scene, Interplanetary is a game set in what I would assume is a very dystopian universe. You play the role of one of the planets in a solar system that has just descended into war. You don’t have access to space ships, but you can build railguns on your planets and rain down fire across the solar system. From a mechanics perspective, Interplanetary is a turn-based artillery –focused strategy game. In your turn, you can build new weapons, resource, or defence buildings. You can pick research to boost your attack, and most importantly, you can fire your weapons. This is a game that takes a lot of inspiration from Hard Science Fiction so where you position your weapons on your planet is essential as it rotates, as it orbits around the sun. To attack, you will need to set an orbital insertion path while taking into account the orbits and gravity of every other planetary body in the solar system.

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