Our previous end-of-year best lists mainly focused on films because there is too much TV to get even close to a definitive list. However, this year there were too many good shows out there not to engage with them.
So this year, we will look at all the shows we reviewed last year, SEE HERE, and pick our Top 10 of the 34 shows we reviewed. For a show to count, it needed to end its run or season in 2022.
You can use many techniques to help build your world, ground your setting, or give dimensions to your characters. You can use music and create elaborate sets, but one of the best ways is through the costumes you make.
People instantly judge a character within moments on the screen, and the outfits are essential to that first impression. More than this, you can also use costumes as a way of storytelling. What do they say about this world? What do they say about how a character is progressing?
Costumes can build worlds and tell us details we can only see, but also they can make us say, ‘hot damn’, look at that beading on that dress. That must have taken hours to do! So without further ado, these costumes made us say ‘hot damn’ in 2022. Be warned that there may be slight spoilers for the films in question.
TL;DR – Could I see some of the plot points of this episode coming? Yes. Did that stop it from ripping my heart out? No, it did not.
Disclosure – I paid for the Amazon Prime service that viewed this episode.
When watching a show or movie, you never quite know when something will connect with you, like really connect with you. Will a story pierce your heart like a barbed arrow and break through even the most hardened layer of cynicism? After not gelling with last week’s Partings, I wondered if the series was running out of steam with me, but nothing prepared me for today.
So to set the scene, the orcs had completely surrounded Arondir (Ismael Cruz Córdova), Bronwyn (Nazanin Boniadi), Theo (Tyroe Muhafidin) and the remaining townsfolk in the watchtower of Ostirith. However, as Adar (Joseph Mawle) and the Orcs storm the watchtower, they find it empty. Well, almost empty. But while this delays the Orcs, the townsfolk know that soon the horde will be upon them and sure enough, in the distance, torches glow. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – As much as the title describes, this is an episode of crossroads, not all of them good.
Disclosure – I paid for the Amazon Prime service that viewed this episode.
I always knew that The Great Wave would be a hard act to follow. Indeed it would be a hard act to get close to that again. However, I was not expecting this week’s episode to give me pause. Not a significant problem per se. More like when you are walking through a forest, and you stop because you have seen something odd in the corner of your eye, pause. Let us now dive into this week’s episode to explore what I mean.
So to set the scene, we open in on the Harfoots as they begin their long migration north, over mountains, through grasslands, and even some marshes where the dead will lie one day. Nori Brandyfoot (Markella Kavenagh) and her family would have been left behind leagues ago because of their father’s (Dylan Smith) foot and being put in the back of the caravan. However, thanks to the help of The Stranger (Daniel Weyman), who fell from the sky, and much to the annoyance of the rest of the caravan, they have kept up. But in this wood, something stirs, and when there is no food, a couple of Harfoots look like a tasty morsel. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This is an episode with joy and tears, warmth and horror, action and romance, and warnings for the future
Disclosure – I paid for the Amazon Prime service that viewed this episode.
When they announced that Amazon would commission a new Lord of the Rings prequel series, many people [including myself] doubted if they could pull it off. Especially when it was revealed just what they could work with given the limited window their licence gave them. However, as I sit back from watching the fourth episode, it has become clear that those concerns were misplaced because few episodes of televisionthis year have moved me as much as this one did today.
So to set the scene, in Adar, we were introduced to the island kingdom of Númenor. A land was once given to man by the Elves, but a land that Elves are now unwelcome, something that Galadriel (Morfydd Clark) discovers first-hand when she is brought there by Elendil (Lloyd Owen). However, there is something behind Númenor’s reluctance, which haunts the dreams of the queen regent Míriel (Cynthia Addai-Robinson). However, things are going from bad to worse in the Southlands because the orcs have returned and are capturing people to dig their tunnels. Still, as Arondir (Ismael Cruz Córdova) stands in chains, he looks in horror as the leader of the orcs is an elf called Adar (Joseph Mawle). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – As a show, it continues to balance all the competing stories while being a thrilling ride.
Disclosure – I paid for the Amazon Prime service that viewed this episode.
When you have a large ensemble cast, it is easy to lose people and whole stories in the cut, where you end up seeing someone on screen and wondering where they came from before. Three episodes in, The Rings of Power might have one of the biggest ensemble casts I have seen for a while, but they always make sure you know the context of every person.
So to set the scene, in Adrift, Galadriel (Morfydd Clark) decided to jump off her boat and swim back to Middle Earth, through the Sundering Seas, than leave her quest unfulfilled. Luckily for her, she spots a raft and is helped by Halbrand (Charlie Vickers), but after a storm leaves them asunder, they are rescued by Elendil (Lloyd Owen) and taken to the island kingdom of Númenór. In the Southlands, Arondir (Ismael Cruz Córdova) has been captured by Orcs, but instead of being killed, he is led through covered tunnels full of captured human workers. They dig a tunnel to keep the orcs protected from the bright Sun. Things are bad, but they are worse when Arondir gets to the pit and discovers that all his Elvish companions were also captured before they could return home. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – We continue to explore this world full of wonders and dangers.
Disclosure – I paid for the Amazon Prime service that viewed this episode.
In the realm of binging tv on streaming services, you can drop them all at once, creating an event weekend, or you can do a weekly realise that feels old-fashioned, but then you can build it up week to week. Or you can follow the Amazon model and employ a hybrid approach where you drop a couple of episodes up-front and create that event feeling while doing the rest week-by-week. This has been a successful model for the streaming service, and it is what we are doing this week with the next episode of The Rings of Power.
So to set the scene, at the end of Shadow of the Past, Galadriel (Morfydd Clark) comes face-to-face with the undying lands, a reward for all her hard work. It is a great honour that no one has ever turned down before, but just as the boat approaches the threshold, she dives off because she can not enter with an unfulfilled oath. Meanwhile, across Middle Earth, there are rumblings of things being out of place and evil returning when a meteorite strikes through the air, crashing down near the home of Elanor “Nori” Brandyfoot (Markella Kavenagh). But when she arrives, she does not find a rock in the ground, but a man, ‘The Stranger’ (Daniel Weyman). Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
TL;DR – This might be a foundation episode, but it is a strong foundation that I hope they build something grand upon.
Disclosure – I paid for the Amazon Prime service that viewed this episode.
I don’t think I have ever come into a project with such fraught feelings as I do with The Lord of the Rings: The Rings of Power. For all those who love cinema, there is always a gateway film that first lit that spark in our heart, and for me, that film was The Lord of the Rings. I revealed in its visuals, narrative, and soundscape in the cinemas, devoured it on DVD when it came out at home, and then delved into every aspect of the behind-the-scenes documentaries in the extended editions. They are such a strong foundation in my cinematic world that diving back in was always going to be precarious, even before the thought that its success or failure might change the course of the streaming business.
So to set the scene, it is 5000 years before the events of the Lord of the Rings films, in what is called the Second Age. When the world was young, there was no Sun, but the light was given from the Two Trees of Valinor, Laurelin and Telperion until Melkor came and destroyed them. The elves fought a centuries-long war again Melkor, travelling from their home all the way to Middle Earth to finally vanquish him. But one of his acolytes remained, Sauron, and after he killed Galadriel’s (Morfydd Clark) brother, she swore an oath that she would destroy him. Centuries later, in the frozen wastes of the north, she is the last one chasing down her foe, but when they find his last bastion empty [well, almost empty], her company demands to return home. Now from here, we will be looking at the episode as a whole, so there will be some [SPOILERS] ahead.
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freelance film critic with an interest in multilingualism, feminist perspectives in cinema and crime dramas.
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