Tag Archives: Uproar

Awards – My Top 20 Films of 2023

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So far, in our awards, we have looked at Action, Animation, Best of Australia & New Zealand, Cinematography, Costumes, Emotion, Fun, Music, Tension, and Worldbuilding.

However, in this last entry into our Best of 2023 awards, we crown our Best Film of 2023.

All films are subjective, so our list might look completely different from yours. Of the 121 films we reviewed last year, 113 had their Australian Theatrical/Streaming Release in 2023. This is the list we draw our entries from, and you can see the complete list of movies HERE.

Much like last year’s list, we have had many staggered releases towards the end of the year in Australia. So we may have films here that were released in 2022 for you but 2023 for us, and there may be some omissions here because we won’t get those films until later in 2024, which is why you won’t see The Holdovers on this list (it will be on the 2024 list)

Highly Commended – Asteroid City, Crater, John Wick: Chapter 4, M3GAN, Nimona, Sweet As & They Cloned Tyrone

Okay, with that out of the way, let’s dive into the first entry in our list of Best Films of 2023.

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The Best Australian and New Zealand Cinema in 2023

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This year, with the slight shift in how we format the awards, we added in a touch more flexibility. While that is mainly in the backend, I did want to take the opportunity to expand one of the awards we covered during this period.

It was a fantastic year for Australian and New Zealand Cinema, with each film I saw knocking it out of the park. There were intimate documentaries, films that held up a mirror to society, and those that brought the action to a new level.

This list will look more at the locally made Australian and New Zealand productions/co-productions and not just films filmed in those countries.

Our Highly Commended in 2023 are Bring Him to Me, The Portable Door & True Spirit
Our Best Australian/New Zealand TV in 2023 are The Artful Dodger, Aunty Donna’s Coffee Café, Deadloch, & NCIS: Sydney



So, without further ado, these are the best of Australian and New Zealand Cinema in 2023. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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The Films of 2023 That Emotionally Wrecked Us

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As I have gotten older, I am not afraid of having a good old-fashioned ugly cry in the cinemas when the time calls for it, and hell, I probably got emotional just writing this list (Spoiler: I did). Sometimes, they are tears of grief or tears of joy, and even still, sometimes, they are tears of anger. 

Emotion is a core part of the cinema experience. If you can’t get us to respond emotionally to your characters and/or the situation, I am sorry you failed to make a great film.

Our Highly Commended in 2023 are The Boy and the Heron, Crater, Creed III, Guardians of the Galaxy Vol. 3, Oppenheimer, Spoiler Alert, Till & Uproar
Our Best TV Emotions in 2023 are The Last of Us: Season 1, Loki: Season 2, Silo: Season 1, Star Trek: Strange New Worlds: Season 2 & Ted Lasso: Season 3

So, without further ado, these are the films of 2023 that emotionally wrecked us. Be warned that there will be significant spoilers for the films in question.

The Nominees Are –

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Uproar – Movie Review

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TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review –

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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