Finding Emily – Movie Review

TL;DR – An oddly charming film that transcends some of the potential limitations by grounding the characters in a clear sense of time and place.

Rating: 3.5 out of 5.

Post-Credit Scene – There is a mid-credit scene.

Disclosure – I was invited to a press screening of this film.

A poster with "Missing, 

A Digit of Emily's Number!,

you gave me 10/11th's of your number on MONDAY

you were a FAIRY

I was the guy with no bottle opener who'd really like to see you again

Meet ME Where you found me ANY NIGHT 7pm"

Finding Emily Review Introduction

When you have been writing reviews for a while, one of the issues that comes up is that you tend to have seen everything under the sun already. It is like that friend who always knows who the murderer is five minutes into a murder mystery. However, every now and again, a film will catch you off guard, and that is what we are looking at today.   

So, to set the scene, Owen (Spike Fearn) is a caring guy trying to make a life as a sound engineer when one night at a club he is working in, he runs into Emily (Sadie Soverall). They immediately hit it off with an almost electric chemistry. To the point he almost loses his job from having a good time. But late at night, before the clock struck 12, Emily had to run off with her friends to another party, but since they were having such fun, she put her number in Owen’s phone. The next morning, Owen’s brother, Matt (Jack Riddiford) and his partner, Freya (Isabella Laughland), did find a bit of glee when Owen discovered Emily had only given her 10 of the 11 digits of her phone number. But Owen was determined, and Manchester is a university town, so someone must know who she is, right? His first attempt was a failure, but Emily Raine (Angourie Rice) was nice enough to help him on his mission, but her motives might not be all that altruistic.

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The Beekeeper – Movie Review

TL;DR – It is a solid action film and one of Jason Statham’s best roles in a while.

Rating: 3.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film.

Warning – contains scenes that may cause distress.

Adam Clay sits in a felid with his bee hives.

The Beekeeper Review

Do you have a world that exists just outside of the one we live in, moving through the cracks of society? Well, can I just say that you have written something that I am very excited about? Today, we look at a film that explores what happens when you upset the wrong person, someone you never should have gone within 100 miles of.

So to set the scene, Adam Clay (Jason Statham) is a quiet person who keeps to himself, tending his beehives with space that he rents off Eloise Parker (Phylicia Rashad), a retired school teacher who owns an old farmstead all by herself. One day, Eloise was doing her bills when spyware was detected on her computer, but the people she called didn’t help. In fact, they were scammers that took everything from her. Clay arrives for dinner to find her body, just as her daughter, FBI Agent Verona Parker (Emmy Raver-Lampman), gets to the farm to find out what happened to her mother’s bank accounts. Clay is at a loss as to who would hurt someone as caring as Eloise, but unlike many, he has resources, a lot of resources. The kind that can find things the FBI cannot and does not care if someone goes on a rampage.

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Uproar – Movie Review

TL;DR – An emotional punch to the face as it explores the power of finding your identity.

Rating: 4.5 out of 5.

Post-Credit Scene – There is no post-credit scene.

Disclosure – I paid to see this film

A sign that says "Justice for Black South Africa, Justice for Brown New Zealand would be nice to!"

Uproar Review

At the time of writing, we are in the middle of the Brisbane International Film Festival or, more affectionately, BIFF. So many films were on offer that you needed to sort through all the entries before being paralysed by indecision. For me this year, I decided to prioritise Aussie and Kiwi films, and with that in mind, you will see a couple of these entries over the coming days. Our first entry from BIFF explores the need to find your identity and how that shapes us as people.

So to set the scene, it is 1981, and the South African Rugby Team, the Springbok, are currently touring New Zealand. Given an intentionally racist Apartheid political system that still runs South Africa, this tour is quite controversial, and there are protests everywhere the team plays. It is within this world that Josh Waaka (Julian Dennison) is trying to find his voice. He is surviving High School by hiding in the library each lunchtime, but he is not thriving at any level. Much of his out-of-school time is spent on odd jobs helping his mother Shirley (Minnie Driver) and the family survive and assisting his brother Jamie (James Rolleston) in his physical therapy recovery from an accident. But as these protests cause a reckoning in the country, they also force Josh to reflect on his own identity.  

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