However, in this last entry into in our Best of 2018 awards, we crown our winner of the best film of 2019.
Now all films are subjective, so our list might look completely different than yours, also we didn’t get to see every film this year which means we will be only drawing our Top 20 from the 128 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.
Okay with that out of the way let dive into the first entry in our list of Best Films of 2019.
As I have gotten older I am not afraid of having a good old fashioned ugly cry in the cinemas when the time calls for it, and hell I probably got emotional just writing this list (Spoiler: I did). Sometimes they are tears of grief, sometimes they are tears of joy, and even still sometimes they are tears of anger.
Emotion is a core part of the cinema experience, and if you can’t get us to emotionally respond to your characters and/or the situation, well then I am sorry you have failed in making a good film.
So without further ado, these are the films of 2019 that emotionally wrecked us. Be warned that there will be some big spoilers ahead for the films in question. Also, you can click on the banners to go to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It is something that elevates a film to the heights of accolade or turns a film into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.
Animation is a form of filmmaking that is often related to second-tier status, something just for kids. This is by both the organisations giving out the awards and also by the very guilds that are meant to be promoting their member’s work. However, they are not second-tier films, and in many ways, it is the animated films that are pushing the frontiers of filmmaking and what is possible, and they should be championed for the work that they do.
Animated films can be hand-drawn, stop/clay motion, computer-generated, it does not matter, but all of them show amazing techniques of hundreds of artists that bring the work to life.
So without further ado, these are the animated films that showed us the glory of animation in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to go to the full reviews of each of the films
TL;DR – Beautiful and yet also a bit melancholy. It takes what is a quite tired trope of cinema and breathes new life into it.
Score – 4 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Last week I managed to catch a showing of a new anime film Weathering
With You. It was beautiful, bittersweet, visually stunning, and
emotionally resonate. Well after having such a profound experience with that
film I had a look back at director/writer Makoto Shinkai’s filmography and came
across Your Name. I had missed it
when it can out in cinemas, so I made sure to check it out as soon as I could.
Well one week later and what would you know, here it was live on the SBS Movie
channel here in Australia and boy was it worth the watch.
So to set the scene, Mitsuha Miyamizu (Mone Kamishiraishi) lives in a quiet
village in the mountains of Japan’s Hida region. Itomori is a town with a long
history of tradition but also of tragedy with fires destroying much of the town’s
history. Mitsuha is a Miko (shrine maiden) in the Shinto temple that her family
runs under the watchful hands of her grandmother Hitoha (Etsuko Ichihara).
Mitsuha is frustrated with her life and where it is going and dreams of leaving
her small town and moving to the big city in Tokyo. Well one day she gets her
wish, but when she wakes up in the body of Taki Tachibana (Ryûnosuke Kamiki) a
high school boy living in Tokyo, things don’t quite go the way she plans.
TL;DR – There is a lot I could say about this film, but the most important thing is that there were times when I became overwhelmed with its beauty.
Score – 4.5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Oh wow, just wow. I have seen a lot of films in my time, and a lot of animated
films, but rarely do they have moments that just take my breath away. Today
we get to take a look at a film that does just that by exploring a new world
and mythology that might not be as familiar to people.
So to set the scene, we open in on Hina (Nana Mori) as she holds the hand of
her mother in the hospital. Outside is nothing but rain, with the weather
matching her life at that moment. But out of the corner of her eye, she sees
one ray of sunshine and she runs to it. About a year later Hodaka (Kotaro Daigo)
arrives by boat to Tokyo, he has run away from home and is looking for a new
life in the big city. But life is tough and he ends up on the street where he
relents and starts working for Keisuke Suga (Shun Oguri) who runs an occult magazine
of dubious quality. However, while working he hears of a girl that can bring
the sun, which given that it has already rained for a month is something that a
lot of people are interested in.