However, in this last entry into in our Best of 2018 awards, we crown our winner of the best film of 2019.
Now all films are subjective, so our list might look completely different than yours, also we didn’t get to see every film this year which means we will be only drawing our Top 20 from the 128 films we did get to see, which you can see a list of HERE. You can also click on the banners to go to the full review.
Okay with that out of the way let dive into the first entry in our list of Best Films of 2019.
One factor that I will always look out for with a film and that is the musical score. I can get caught in the world of the music, as it sits in my head in the days, weeks, months, and even the years that come. There is immense artistry in weaving emotions from music, having us slip into the world that is created, fear the oncoming dread even if we do know why, or rejoice in the triumph of that final victory.
Music charts the cinematic world, it guides us, it can lift us up, and it can crush our souls, this is its power. So without further ado, these are the musical score that moved us in 2019. Be warned that there may be some slight spoilers ahead for the films in question and if you click on the banners you will be taken to the full review.
As I have gotten older I am not afraid of having a good old fashioned ugly cry in the cinemas when the time calls for it, and hell I probably got emotional just writing this list (Spoiler: I did). Sometimes they are tears of grief, sometimes they are tears of joy, and even still sometimes they are tears of anger.
Emotion is a core part of the cinema experience, and if you can’t get us to emotionally respond to your characters and/or the situation, well then I am sorry you have failed in making a good film.
So without further ado, these are the films of 2019 that emotionally wrecked us. Be warned that there will be some big spoilers ahead for the films in question. Also, you can click on the banners to go to the full review.
Cinematography is an art form that can be as bold as a gong crashing after a moment of silence, or as subtle as the tide coming in. It is something that elevates a film to the heights of accolade or turns a film into a frustrating mess when it misfires.
While at the heart of cinematography is the Director of Photography or Cinematographer, to get something from the script to the final shot takes a whole team of professionals, and it is their talent that we champion today.
So without further ado, these are the moments of cinematography that took our breaths away in 2019. Be warned that there may be some slight spoilers ahead for the films in question. Also, click on the banners to be taken to the full reviews.
TL;DR – I countdown all of my top 100 films shown throughout the decade from Chappie to Roma to Paddington and more.
The end of the year is rapidly approaching and as it is also the end of the decade it means reflecting back on the past. With this in mind, I have been thinking back to the hundreds and probably thousands of films that I have watched and boy was it quite a decade. We got to see a conclusion of a twenty film franchise, solid trilogies appear, and new filmmakers explode onto the stage with unique voices. While there was also a lot of rubbish and more than a few franchise false starts today we are going to focus on the positive and explore my personal top 100 films of the decade. Now all films are subjective, so our list might look completely different than yours, also we didn’t get to see every film this decade so we may have missed some that ended up on your list. We’ll be going over the whole 100 in one list with a little blurb as to why it is there. If there is a banner picture it means that we have reviewed the film and if you click on the banner it will take you to the article.
Now without further preface let’s dive into the wonderful world of film and see if my top 10 is the same as yours?
TL;DR – A truly emotional work of film that affected me in ways film rarely does.
Score – 5 out of 5 stars
Post-Credit Scene – There is no post-credit scene
Wow, just wow, I thought I had some handle on how this film was going to affect
me when I walked in, but I had no idea. I didn’t know I would be tearing up in
the first five minutes and that it would not stop until the credits rolled. It
is a film like this that shows the power of the medium to tell stories that can
affect us on our deepest human level.
So to set the scene, Billi (Awkwafina) is struggling to find her place in the
world after failing to get the fellowship that she was after. While at her
parents to use their washing machine she notices that her mother Jian (Diana
Lin) and father Haiyan (Tzi Ma) are acting odd. Wounding the worse, Billi
discovers that her beloved Nai Nai (Shuzhen Zhao) has been diagnosed with late-stage
cancer, but also that the family has decided not to tell her. Using a wedding
as an excuse the whole family is going over to China in part to say goodbye
without actually saying goodbye.